Visualising China, 1845-1965: Life/Still images in Historical Narratives

Forside
BRILL, 9. nov. 2012 - 540 sider
How does China project its image in the world? Why and how has the world come to form certain impressions of the Chinese and their way of life? These are issues that preoccupy Chinese citizens in the globalizing 21st century as they travel overseas, riding on the capacity of the country’s newly acquired economic power. In Visualizing China, the authors join forces to launch a broader inquiry aimed at a synergistic understanding of the larger story of visuality in modern China. The essays cluster around several nodal points including photographs, advertising, posters and movies, spanning from the 1840s to the 1960s, and devote special attention to modern Chinese practices in the visualization of things Chinese.
 

Innhold

The lives and deaths of photographs in early treaty port China
3
Obscene vignettes of truth Construing photographs of Chinese executions as historical documents
39
Narrating peddlers in Shanghai Modern
93
Part II
129
MATERIALITY AND REPRESENTATION IN EARLY TWENTIETH CENTURY CHINESE PHOTOGRAPHS
131
some preliminary thoughts on a sociocultural history of urban dwellings in pre1940s Canton
171
Part III
229
the evolution of visual advertising in late Imperial China
231
reading visual regimes in Shanghais newspaper advertising 1860s1910s
267
Contextualising propaganda posters
379
monumentalism circulation and power effects
407
Part IV
437
Zhang Ailing and postwar visual images of the big metropolis
439
A view from postwar popular cinema
461
INDEX
481
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