Politics and Awe in Rudyard Kipling's FictionAshgate Publishing, Ltd., 2008 - 187 sider This is a study of the forms, ethics, politics and aesthetics of Kipling's fiction. Havholm both traces the sources of Kipling's imperialist ideology and demonstrates how and why his fiction so often brings genuine pleasure to readers who violently disagree with that ideology. |
Innhold
Guilty Pleasures | 1 |
2 | 19 |
Let the Sovereign Speak | 43 |
Attending to Cultural Context | 67 |
4 | 74 |
For to Admire | 87 |
The Uncomplicated Soul | 115 |
Dayspring Mishandled | 137 |
Appendix 1 | 157 |
Works Cited | 165 |
Bibliography | 171 |
179 | |
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actions admiration allowed Anglo-Indian appears become beginning believe Bill Black Bombay British called Castries Chapter characters City Civil claims consequences critics death Dick difference District educated effect Empire English Englishman Eurasian European example experience fact father feeling fiction Gate Government hand head Hills human ideas ignorant imagine imperial Indian James Kidnapped kind Kipling's knowledge lama learned Letters Lispeth lives Lockwood London look Lord March married matter meaning meeting mind Mulvaney narrator native nature never novel November parents Pioneer Plain pleasure political position presented published question race readers reason Reporter represented response rhetoric Rudyard Kipling rule says seems sense shows story story's suffering suggests tell things thought Three turn understanding wife woman women wonder writing wrote young