A NIME Reader: Fifteen Years of New Interfaces for Musical Expression

Forside
Alexander Refsum Jensenius, Michael J. Lyons
Springer, 6. mar. 2017 - 485 sider
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What is a musical instrument? What are the musical instruments of the future? This anthology presents thirty papers selected from the fifteen year long history of the International Conference on New Interfaces for Musical Expression (NIME). NIME is a leading music technology conference, and an important venue for researchers and artists to present and discuss their explorations of musical instruments and technologies.

Each of the papers is followed by commentaries written by the original authors and by leading experts. The volume covers important developments in the field, including the earliest reports of instruments like the reacTable, Overtone Violin, Pebblebox, and Plank. There are also numerous papers presenting new development platforms and technologies, as well as critical reflections, theoretical analyses and artistic experiences.

The anthology is intended for newcomers who want to get an overview of recent advances in music technology. The historical traces, meta-discussions and reflections will also be of interest for longtime NIME participants. The book thus serves both as a survey of influential past work and as a starting point for new and exciting future developments.

 

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Innhold

Principles for Designing Computer Music Controllers
1
Problems and Prospects for Intimate Musical Control of Computers
15
The Importance of Parameter Mapping in Electronic Instrument Design
29
Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing
45
The Plank Designing a Simple Haptic Controller
59
Contexts of Collaborative Musical Experiences
71
Sonigraphical Instruments From FMOL to the reacTable
89
Designing Playing and Performing with a VisionBased Mouth Interface
107
Mobile Music Technology Report on an Emerging Community
253
Wireless Sensor Interface and GestureFollower for Music Pedagogy
267
Dont Forget the Laptop Using Native Input Capabilities for Expressive Musical Control
285
Expression and Its Discontents Toward an Ecology of Musical Creation
299
The Acoustic the Digital and the Body A Survey on Musical Instruments
317
Eight Years of Practice on the HyperFlute Technological and Musical Perspectives
335
A History of Hemispherical Speakers at Princeton Plus a DIY Guide
353
Satellite CCRMA A Musical Interaction and Sound Synthesis Platform
373

OpenSound Control State of the Art 2003
125
The Electronic Sitar Controller
147
PebbleBox and CrumbleBag Tactile Interfaces for Granular Synthesis
165
Toward a Generalized Friction Controller From the Bowed String to Unusual Musical Instruments
181
OntheFly Programming Using Code as an Expressive Musical Instrument
193
Towards a Dimension Space for Musical Devices
211
The Overtone Violin
223
Sensemble A Wireless Compact Multiuser Sensor System for Interactive Dance
235
The Fingerphone A Case Study of Sustainable Instrument Redesign
391
To Be Inside Someone Elses Dream Music for Sleeping and Waking Minds
405
TouchKeys Capacitive Multitouch Sensing on a Physical Keyboard
419
The Web Browser as Synthesizer and Interface
433
To Gesture or Not? An Analysis of Terminology in NIME Proceedings 20012013
451
Fourteen Years of NIME The Value and Meaning of Community in Interactive Music Research
465
Appendix Glossary
482
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