Slow CinemaTiago de Luca Edinburgh University Press, 31. des. 2015 - 320 sider Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history. |
Innhold
| 1 | |
1 The Politics of Slowness and the Traps of Modernity | 25 |
Carl Th Dreyers Film Style | 47 |
3 The First Durational Cinema and the Real of Time | 59 |
Slow Film and Politics in the Cinema of JeanMarie Straub and Danièle Huillet | 71 |
Tsai Mingliang and a Cinema of Slowness | 87 |
6 Stills and Stillness in Apichatpong Weerasethakuls Cinema | 99 |
The Long Slow Cinema of Lav Diaz | 112 |
Duration Audition and Labour in Liu Jiayins Oxhide and Oxhide II | 192 |
Slow Aesthetics in Experimental Ecocinema and Nature Cam Videos | 207 |
Animals Contingency and Death in Carlos Reygadass Japón and Lisandro Alonsos Los muertos | 219 |
Nonhuman Aesthetics in Abbas Kiarostamis Five Dedicated to Ozu | 231 |
The Poetics and the Politics of Fiction | 245 |
AKA Serial Killer and James Bennings Portraits of Criminals | 261 |
19 Slow Cinema and the Ethics of Duration | 273 |
Immersion Unfolding and Lucile Hadžihalilovic ́s Innocence | 287 |
Austerity Dispossession and the Politics of Slow in Kelly Reichardts Meeks Cutoff | 123 |
From Slowness to Stillness in the Cinema of Jia Zhangke | 137 |
Slow Cinemas Labouring Body the Political Spectator and the Queer | 153 |
Pedro Costas In Vandas Room | 169 |
Cinematic Style as Labour in Wang Bings Tie Xi Qu West of the Tracks | 180 |
the Politics and Aesthetics of Stalled Mobility in Hermakono and Morgen | 299 |
Slow Heritage Cinema | 312 |
| 324 | |
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accessed actors aesthetic AKA Serial Killer Andy Warhol animal Apichatpong Weerasethakul argues art cinema audience Bazin Béla Béla Tarr body Boonmee Bordwell Brecht camera Chantal Akerman chapter characters cinema of slowness contemporary Costa critical crystal-image cultural Deleuze depiction Diaz directors documentary Dreyer Dreyer's drift durational cinema ecocinema ethical everyday example experience film-makers film's filmic Flanagan Fontaínhas frame global Heremakono heritage films human James Benning Jean-Marie Straub Jia Zhangke Kiarostami labour landscape London long takes Matthew Flanagan Melancholia minutes mode modern Morgen movement Moving Image Nagib narrative nature cam Oxhide Pedro Costa photographs political present production realism reality Reichardt rhythm road movies scene Schoonover screen sense sequence shooting shot Sleep slow cinema slow films Song Hwee sound space spectator speed static style suggests temporal theatre tion Tsai Ming-liang University Press Vanda's Room viewer visual Vredens Dag Wang Warhol World Cinema Xiao Wu York