Slow CinemaTiago de Luca Edinburgh University Press, 31. des. 2015 - 320 sider Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history. |
Innhold
| 1 | |
| 25 | |
| 47 | |
3 The First Durational Cinema and the Real of Time | 59 |
Slow Film and Politics in the Cinema of JeanMarie Straub and Danièle Huillet | 71 |
Tsai Mingliang and a Cinema of Slowness | 87 |
6 Stills and Stillness in Apichatpong Weerasethakuls Cinema | 99 |
The Long Slow Cinema of Lav Diaz | 112 |
Duration Audition and Labour in Liu Jiayins Oxhide and Oxhide II | 192 |
Slow Aesthetics in Experimental Ecocinema and Nature Cam Videos | 207 |
Animals Contingency and Death in Carlos Reygadass Japón and Lisandro Alonsos Los muertos | 219 |
Nonhuman Aesthetics in Abbas Kiarostamis Five Dedicated to Ozu | 231 |
The Poetics and the Politics of Fiction | 245 |
AKA Serial Killer and James Bennings Portraits of Criminals | 261 |
19 Slow Cinema and the Ethics of Duration | 273 |
Immersion Unfolding and Lucile Hadžihalilovic ́s Innocence | 287 |
Austerity Dispossession and the Politics of Slow in Kelly Reichardts Meeks Cutoff | 123 |
From Slowness to Stillness in the Cinema of Jia Zhangke | 137 |
Slow Cinemas Labouring Body the Political Spectator and the Queer | 153 |
Pedro Costas In Vandas Room | 169 |
Cinematic Style as Labour in Wang Bings Tie Xi Qu West of the Tracks | 180 |
the Politics and Aesthetics of Stalled Mobility in Hermakono and Morgen | 299 |
Slow Heritage Cinema | 312 |
Index | 324 |
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