The Cambridge Companion to Fantasy Literature"Fantasy is not so much a mansion as a row of terraced houses, such as the one that entranced us in C. S. Lewis's The Magician's Nephew with its connecting attics, each with a door that leads into another world. There are shared walls, and a certain level of consensus around the basic bricks, but the internal decor can differ wildly, and the lives lived in these terraced houses are discrete yet overheard. Fantasy literature has proven tremendously difficult to pin down. The major theorists in the field - Tzvetan Todorov, Rosemary Jackson, Kathryn Hume, W. R. Irwin and Colin Manlove - all agree that fantasy is about the construction of the impossible whereas science fiction may be about the unlikely, but is grounded in the scientifically possible. But from there these critics quickly depart, each to generate definitions of fantasy which include the texts that they value and exclude most of what general readers think of as fantasy. Most of them consider primarily texts of the nineteenth and early twentieth century. If we turn to twentieth-century fantasy, and in particular the commercially successful fantasy of the second half of the twentieth century, then, after Tolkien's classic essay, 'On Fairy Stories', the most valuable theoretical text for taking a definition of fantasy beyond preference and intuition is Brian Attebery's Strategies of Fantasy (1992)"-- Provided by publisher. |
Hva folk mener - Skriv en omtale
Anmeldelsene blir ikke bekreftet, men Google ser etter falskt innhold og fjerner slikt innhold som avdekkes
LibraryThing Review
Brukerevaluering - ritaer - LibraryThingA set of essays that vary in quality and subject matter. Some emphasize history of a genre or subdivision, others are more based on literary theory. Les hele vurderingen
Andre utgaver - Vis alle
The Cambridge Companion to Fantasy Literature Edward James,Farah Mendlesohn Ingen forhåndsvisning tilgjengelig - 2012 |
Vanlige uttrykk og setninger
adventures Ægypt American artists become Beowulf C. S. Lewis century characters child children’s fantasy children’s literature classic complex contemporary create Crobuzon cultural dark fantasy death Diana Wynne Jones dragons dream Earthsea edited elements English essay example fairy tale fantasy literature fantasy novels fantasy writers Farah Mendlesohn Frodo genre ghost Gothic Guin hero historical fantasy Hobbit horror human imagination J. R. R. Tolkien John Clute King land language Lewis’s literary lives London Lord LOTR Lovecraft magical realism medieval Mi´eville mode modern fantasy mysterious myth Narnia narrative narrator Norrell paranormal romance Perdido Street Station Philip Pullman popular postmodern protagonist published Pullman quest fantasy reader reality scholar science fiction secondary world sense sequence slipstream story Strange structure sublime supernatural tasy thematic criticism things tradition trilogy tropes University Press urban fantasy Ursula K vampires Witch Wizard York