A Criticism of the Elegy Written in a Country ChurchyardJ. Ballantyne and Company, 1810 - 148 sider |
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Side 151
... Marmion LETTER II . · Page 1 Resemblance between the novelist and poet in their tastes , studies , and habits of life , as illustrated by their works . Both Scotchmen - Habitual residents in Edinburgh - Poets - Anti- quaries - German ...
... Marmion LETTER II . · Page 1 Resemblance between the novelist and poet in their tastes , studies , and habits of life , as illustrated by their works . Both Scotchmen - Habitual residents in Edinburgh - Poets - Anti- quaries - German ...
Side
... Marmion generally characterized -His habits of composition and turn of mind , as a poet , com- pared with those of the novelist - Their descriptions simply conceived and composed , without abstruse and far - fetched circumstances or ...
... Marmion generally characterized -His habits of composition and turn of mind , as a poet , com- pared with those of the novelist - Their descriptions simply conceived and composed , without abstruse and far - fetched circumstances or ...
Side
... Marmion never notices the author of Waverley , ( see Letter III . ) - Both delight in frequently introducing an antiquated or fantastic dialect - Peculiarities of expression common to both writers - Conclusion Page 195 Page ERRATA . 36 ...
... Marmion never notices the author of Waverley , ( see Letter III . ) - Both delight in frequently introducing an antiquated or fantastic dialect - Peculiarities of expression common to both writers - Conclusion Page 195 Page ERRATA . 36 ...
Side 4
... Marmion . In making this attempt , my chief dependence will be , as I have already in- timated , on the internal evidence of their respective works . I neither have the means , nor feel much desire , to obtain information from other ...
... Marmion . In making this attempt , my chief dependence will be , as I have already in- timated , on the internal evidence of their respective works . I neither have the means , nor feel much desire , to obtain information from other ...
Side 8
... Marmion has neglected his poetical vein , in proportion as the author of Waverley has cultivated his talent for prose narration . It certainly is not to be expected that a writer should continue through life to produce metrical romances ...
... Marmion has neglected his poetical vein , in proportion as the author of Waverley has cultivated his talent for prose narration . It certainly is not to be expected that a writer should continue through life to produce metrical romances ...
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Vanlige uttrykk og setninger
Abbot admiration Antiquary appear author of Marmion author of Waverley beautiful beech Black Dwarf Bridal of Triermain Bride of Lammermoor Canto Canto VI castle character Church-yard circumstances composition criticism Dæmon dark death Douglas Elegy expression fancy favourite feeling Glossin Græme Gray Guy Mannering hand Harold the Dauntless Hatteraick Heart of Mid Heart of Mid-Lothian Henry hero honour Ibid images imagination instances Isles Ivanhoe Jeanie Kenilworth labour Lady Lake Landlord Last Minstrel Legend of Montrose Letters light Loch Katrine Lord Mid Lothian mind Monastery narrative natural night novelist novels o'er observation Old Mortality passage person personage Petrarch poems poet poetical poetry praise prose racter remarkable resemblance Risingham Rob Roy Roderick Rokeby romantic says scarcely scene seems sound spirit stanza story style supposed tale taste thou thought tion tower verse wild writers
Populære avsnitt
Side 54 - Where through the long-drawn aisle and fretted vault, The pealing anthem swells the note of praise.
Side 3 - For them no more the blazing hearth shall burn, Or busy housewife ply her evening care : No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
Side 9 - One morn I missed him on the customed hill, Along the heath and near his favorite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he; "The next with dirges due in sad array Slow through the churchway path we saw him borne. Approach and read (for thou canst read) the lay, Graved on the stone beneath yon aged thorn.
Side 4 - Can storied urn or animated bust Back to its mansion call the fleeting breath? Can honour's voice provoke the silent dust, Or flattery soothe the dull cold ear of death?
Side 8 - There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by.
Side 1 - ELEGY WRITTEN IN A COUNTRY CHURCHYARD / THE CURFEW tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me.
Side 104 - Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost.
Side 2 - The breezy call of incense-breathing Morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed...
Side 7 - E'en from the tomb the voice of Nature cries, E'en in our ashes live their wonted fires. For thee, who, mindful of th' unhonour'd dead, Dost in these lines their artless tale relate; If chance, by lonely Contemplation led, Some kindred spirit shall inquire thy fate, — Haply some hoary-headed swain may say, Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away, To meet the sun upon the upland lawn...
Side 5 - Th' applause of list'ning senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their history in a nation's eyes...