Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 sider It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Side 16
Print, Text, and Performance in Europe Julie Stone Peters. They could be , among other things : testimony to the generosity of the performance's patron ; instructions to performers on how to put on a play ; recollections for the spec ...
Print, Text, and Performance in Europe Julie Stone Peters. They could be , among other things : testimony to the generosity of the performance's patron ; instructions to performers on how to put on a play ; recollections for the spec ...
Side 103
Print, Text, and Performance in Europe Julie Stone Peters. 9956 explain what they were to be used for . Even if Hans Sachs ( or his editor ) still feels he must indicate his book's place in the array of possible performance texts , he ...
Print, Text, and Performance in Europe Julie Stone Peters. 9956 explain what they were to be used for . Even if Hans Sachs ( or his editor ) still feels he must indicate his book's place in the array of possible performance texts , he ...
Side 363
... performance rights or performance rights in a particular theatre , or a portion of performance rights ( probably because they had already sold them to a Paris manager ) , but sell provincial performance rights along with publication ...
... performance rights or performance rights in a particular theatre , or a portion of performance rights ( probably because they had already sold them to a Paris manager ) , but sell provincial performance rights along with publication ...
Innhold
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Begrenset visning - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Begrenset visning - 2000 |
Vanlige uttrykk og setninger
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes
Referanser til denne boken
The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Ingen forhåndsvisning tilgjengelig - 2006 |