Orthophony: Or, Vocal Culture in Elocution: A Manual of Elementary Exercises, Adapted to Dr. Rush's "Philosophy of the Human Voice," and Designed as an Introduction to Russell's "American Elocutionist."W.D. Ticknor and Company, 1845 - 336 sider |
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Side 73
... marked by the prevalence of the expressive tones of pathos , solemnity , and tranquillity , as here exemplified . The following exercises should be practised with the closest attention to the perfect purity of vocal sound , as ...
... marked by the prevalence of the expressive tones of pathos , solemnity , and tranquillity , as here exemplified . The following exercises should be practised with the closest attention to the perfect purity of vocal sound , as ...
Side 75
... marked " piano " in music , and has been exemplified in the preceding exercises , but , likewise , to that degree of force which may be termed moderate , in con- tradistinction to the energetic style of declamation , the bold tones of ...
... marked " piano " in music , and has been exemplified in the preceding exercises , but , likewise , to that degree of force which may be termed moderate , in con- tradistinction to the energetic style of declamation , the bold tones of ...
Side 76
... marked by " effusive " or " sub- dued " force , but on the contrary , assumes something of the expulsive " tone of firmness and authority , although in a gentle and moderate style . The " grave " style differs farther from the " solemn ...
... marked by " effusive " or " sub- dued " force , but on the contrary , assumes something of the expulsive " tone of firmness and authority , although in a gentle and moderate style . The " grave " style differs farther from the " solemn ...
Side 77
... marked character of the merely " serious . " The purity of tone in this style is usually marred by the same cause as in the preceding instance of the " grave ” utterance . The beauty and gentle- ness of the tone of serious feeling , are ...
... marked character of the merely " serious . " The purity of tone in this style is usually marred by the same cause as in the preceding instance of the " grave ” utterance . The beauty and gentle- ness of the tone of serious feeling , are ...
Side 124
... marked . Hence these properties of voice , which would , in the expression of other emotions , be mere organic faults , now become requisites to effect , and are , therefore , comparative excellences . They require , accordingly ...
... marked . Hence these properties of voice , which would , in the expression of other emotions , be mere organic faults , now become requisites to effect , and are , therefore , comparative excellences . They require , accordingly ...
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Orthophony: Or, Vocal Culture in Elocution: A Manual of Elementary Exercises ... James Edward Murdoch,William Russell Uten tilgangsbegrensning - 1845 |
Orthophony; Or, The Cultivation of the Voice, in Elocution: A Manual of ... Uten tilgangsbegrensning - 1854 |
Orthophony: Or, Vocal Culture in Elocution: A Manual of Elementary Exercises ... James Edward Murdoch,William Russell Uten tilgangsbegrensning - 1845 |
Vanlige uttrykk og setninger
accent appropriate articulation Aspirated pectoral aspirated quality breath cadence character Coriolanus deep degree diphthong distinct ditone downward slide earth effect Effusive orotund element elocution Elocutionist emotion emphasis enunciation epiglottis exer exercises explosive expression Expulsive orotund fault feeling force forcible gentle glottis grave guttural habit hath heart heaven High pitch horror human voice Impassioned impressive language larynx light Lord Low pitch Median stress melody ment Middle pitch mode moderate monotone mouth movement muscles musical scale natural o'er octave Pathos pauses Pectoral Quality phrases practice prolonged prosodial pure tone purity of tone quantity radical stress reading render rhythm scale semitone sentence sion solemn soul speaker speaking speech student style subdued Sublimity subtonic syllables Teacher in District termed thee thou thought tion tongue tonic trachea unimpassioned utterance vanishing stress verse vivid vocal organs vocal sound voice wave whispering words
Populære avsnitt
Side 111 - Shall one by one be gathered to thy side By those who in their turn shall follow them.
Side 124 - Before the mountains were brought forth, or ever thou hadst formed the earth and the world, even from everlasting to everlasting, thou art God. Thou turnest man to destruction ; and sayest, Return, ye children of men.
Side 320 - twas but the wind, Or the car rattling o'er the stony street; On with the dance! let joy be unconfined; No sleep till morn, when Youth and Pleasure meet To chase the glowing Hours with flying feet.— But hark!
Side 210 - Your infants in your arms, and there have sat The live-long day, with patient expectation, To see great Pompey pass the streets of Rome...
Side 277 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Side 85 - Thou shalt lie down With patriarchs of the infant world — with kings, The powerful of the earth — the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre.
Side 327 - The hunter's call, to faun and dryad known ! The oak-crowned sisters, and their chaste-eyed queen, Satyrs and sylvan boys, were seen, Peeping from forth their alleys green : Brown Exercise rejoiced to hear ; And Sport leapt up, and seized his beechen spear.
Side 270 - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress (Before Decay's effacing fingers Have swept the lines where beauty lingers...
Side 328 - Canst thou bind the sweet influences of Pleiades, Or loose the bands of Orion ? Canst thou bring forth Mazzaroth in his season ? Or canst thou guide Arcturus with his sons...
Side 130 - He hath disgraced me and hindered me of half a million ; laughed at my losses, mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies! and what's his reason? I am a Jew ! Hath not a Jew eyes?