My voice is in my sword; thou bloodier villain Macb. [They fight. Thou losest labour: As easy may'st thou the entrenchant air To one of woman born. Macd. Despair thy charm; Macb. Accursed be that tongue that tells me so, Macd. Then yield thee, coward, I'll not yield, Macb. [Exeunt, fighting. Retreat. Flourish. Re-enter, with Drum and Colours, MALCOLM, Old SIWARD, ROSSE, LENOX, ANGUS, CATHNESS, MENTETH, and Soldiers. Mal. I would the friends we miss were safe arriv'd. So great a day as this is cheaply bought. Rosse. Ay, and brought off the field: your cause of sorrow Must not be measur'd by his worth, for then It hath no end. Siw. Had he his hurts before? Rosse. Ay, on the front. Siw. Why then, God's soldier be he! Had I as many sons as I have hairs, I would not wish them to a fairer death: And so his knell is knoll'd. Mal. He's worth more sorrow, And that I'll spend for him. Siw. He's worth no more; They say, he parted well, and paid his score; Re-enter MACDUFF, with MACBETH'S Head on a Pole. stands Hail, king of Scotland! All. King of Scotland, hail ! [Flourish. Mal. We shall not spend a large expense of time, Before we reckon with your several loves, And make us even with you. My thanes and kinsmen, Henceforth be earls, the first that ever Scotland In such an honour nam'd. What's more to do, Which would be planted newly with the time,As calling home our exil'd friends abroad, That fled the snares of watchful tyranny; Producing forth the cruel ministers Of this dead butcher, and his fiend-like queen; [Flourish. Exeunt. This play is deservedly celebrated for the propriety of its fiction, and solemnity, grandeur, and variety of its action; but it has no nice discriminations of character; the events are too great to admit the influence of particular dispositions, and the course of the action necessarily determines the conduct of the agents. The danger of ambition is well described; and I know not whether it may not be said, in defence of some parts which now seem improbable, that in Shakspeare's time it was necessary to warn credulity against vain and illusive predictions. The passions are directed to their true end. Lady Macbeth is merely detested; and though the courage of Macbeth preserves some esteem, yet every reader rejoices at his fall. JOHNSON. C. Whittingham, Printer, Chiswick. King John: DRAMATIS PERSONA. Prince Henry, his Son; afterwards King Henry III. Arthur, Duke of Bretagne, Son of Geffrey, late Duke of of King John. Bretagne, the elder Brother of Kin William Mareshall, Earl of Pembroke. Geffrey Fitz-Peter, Earl of Essex, Chief Justiciary of England. William Longsword, Earl of Salisbury. Robert Bigot, Earl of Norfolk. Hubert de Burgh, Chamberlain to the King. Robert Faulconbridge, Son of Sir Robert Faulcon bridge: Philip Faulconbridge, his Half-Brother, Bastard Son to King Richard the First. James Gurney, Servant to Lady Faulconbridge. Peter of Pomfret, a Prophet. Philip, King of France. Lewis, the Dauphin. Archduke of Austria. Cardinal Pandulph, the Pope's Legate. Melun, a French Lord. Chatillon, Ambassador from France to King John. Elinor, the Widow of King Henry II. and Mother of King John. Constance, Mother to Arthur. Blanch, Daughter to Alphonso, King of Castile, and Niece to King John. Lady Faulconbridge, Mother to the Bastard, and Ro bert Faulconbridge. Lords, Ladies, Citizens of Angiers, Sheriff, Heralds, Officers, Soldiers, Messengers, and other Attendants. SCENE, sometimes in England, and sometimes in France. |