A catalogue raisonné of the works of D.R. Hay [by himself]. With critical remarks by various authorsW. Blackwood and Sons, 1849 - 32 sider |
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Side 17
... Plato denominated το καλον και ἀγαθον , the soul of the world . In this long series of Mr Hay's works , we are enabled to trace his progress from year to year in this arduous pursuit of the beautiful and true . We see how his mind has ...
... Plato denominated το καλον και ἀγαθον , the soul of the world . In this long series of Mr Hay's works , we are enabled to trace his progress from year to year in this arduous pursuit of the beautiful and true . We see how his mind has ...
Side 22
... Plato , who eloquently commented on the music of beautiful forms - a theory which Darwin , the Platonic poet , in a note to his " Temple of Nature , " practically carries out , by suggesting the construction of a machine which , while ...
... Plato , who eloquently commented on the music of beautiful forms - a theory which Darwin , the Platonic poet , in a note to his " Temple of Nature , " practically carries out , by suggesting the construction of a machine which , while ...
Side 30
... Plato and the most illustrious of the ancients wished to do with their lesser lights of knowledge , and minor opportunities of civilisation . They had not the philosophy of our day brought to a practical development ; and , instead of ...
... Plato and the most illustrious of the ancients wished to do with their lesser lights of knowledge , and minor opportunities of civilisation . They had not the philosophy of our day brought to a practical development ; and , instead of ...
Side 31
David Ramsay Hay. back as the days of Pythagoras and Plato , that the ancients themselves owed their excellence to exact and scientific principles of beauty . The plain inference is , that it is open for us to do the same . " In his ...
David Ramsay Hay. back as the days of Pythagoras and Plato , that the ancients themselves owed their excellence to exact and scientific principles of beauty . The plain inference is , that it is open for us to do the same . " In his ...
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A catalogue raisonné of the works of D.R. Hay [by himself]. With critical ... David Ramsay Hay Uten tilgangsbegrensning - 1849 |
A Catalogue Raisonné of the Works of D.R. Hay [By Himself]. With Critical ... David Ramsay Hay Ingen forhåndsvisning tilgjengelig - 2023 |
A Catalogue Raisonne of the Works of D.R. Hay [By Himself]. with Critical ... David Ramsay Hay Ingen forhåndsvisning tilgjengelig - 2016 |
Vanlige uttrykk og setninger
ancient Greek art application architect architecture artist Athenæum beautiful forms BEAUTY IN COLOURING beauty of form BLACKWOOD & SONS BLACKWOOD AND SONS CATALOGUE RAISONNÉ colour and form Coloured Diagram composite ellipse D. R. Hay decorative art developed distinguished EDINBURGH AND LONDON edition emanations fixed principles following opinion Fraser's Magazine genius GEOMETRIC PRINCIPLE GEOMETRICAL DIAPER DESIGNS Glasgow harmonic ratio Harmonious Colouring harmony of form harmony of numbers Hay's book head and countenance house-painting hues human head Illustrative Plates ingenious Laws of Harmonious linear harmony mathematical metry mind mony of Form NATURAL PRINCIPLES nomenclature of colours Octavo ordinary nature ornamental design painter painting Parthenon perception pervade philosophical Plato present Price primary elements principles of beauty profession proportion and beauty published in 1846 Pythagoras Quarto reader rectilinear respect schools of design scientific Sir WILLIAM HAMILTON symmetrical beauty symmetry taste tical tints tion truth vases volume WILLIAM BLACKWOOD Woodcuts
Populære avsnitt
Side 10 - NOMENCLATURE OF COLOURS, Applicable to the Arts and Natural Sciences, to Manufactures, and other Purposes of General Utility. By DR HAY, FRSE 228 Examples of Colours, Hues, Tints, and Shades. 8vo, £3, 3s.
Side 16 - We think modern science will soon show that the mysticism of Pythagoras was mystical only to the unlettered, and that it was a system of philosophy founded on the then existing mathematics, which latter seem to have comprised more of the philosophy of numbers than our present.
Side 9 - Original Geometrical Diaper Designs. Accompanied by an Attempt to develop and elucidate the true Principles of Ornamental Design, as applied to the Decorative Arts.
Side 16 - ... the perceptions of the mind. The direction, indeed, of modern natural and physical science is towards a generalization which shall express the fundamental laws of all, by one simple numerical ratio. We would refer to Professor Whewell's Philosophy of the Inductive Sciences, and to Mr.
Side 31 - Memoir of Sir William Hamilton, Bart., Professor of Logic and Metaphysics in the University of Edinburgh. By Professor VEITCH of the University of Glasgow. 8vo, with Portrait, 18s.
Side 16 - Sciences,' and to Mr. Hay's researches into the laws of harmonious colouring and form. From these it appears that the number seven is distinguished in the laws regulating the harmonious Perception of forms, colours, and sounds, and probably of taste also, if we could analyse our sensations of this kind with mathematical accuracy.
Side 23 - In the work before us it is attempted to show " that the impressions made upon the eye by forms are really founded on natural principles, and that the proportions and peculiarities of form which produce the most pleasing impressions are in reality, as well as appearance, dictated by nature, being a response to these principles in the human mind. If it can be shown,
Side 20 - We are glad that Mr Hay's book has gone to a second edition, and we doubt not that the ability and excellent knowledge of his profession which it displays will meet with the reward to which they are well entitled.
Side 7 - A Nomenclature of Colours applicable to the Arts and Natural Sciences, to Manufactures, and other purposes of General Utility.
Side 21 - Were every man a judge and appreciator of beauty, then indeed might we expect forms of loveliness and grace to pervade the regions of domestic and everyday life — to replace, in our streets, the expensive ugliness of our street decoration — in our homes, the vulgarities of ornamental deformity — and in our churches, the distortions and anomalies of meretricious decoration. " We hail, therefore, with delight the appearance among us of any evidence...