The Invisible Art of Film Music: A Comprehensive HistoryScarecrow Press, 1. jan. 1998 - 431 sider A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves. |
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Side 87
... tones of which are a rising octave . The theremin projects this idea with a pseudovocal timbre that becomes truly frightening as it repeats the tones with a gradually increasing volume . The film's most frightening scene comes later ...
... tones of which are a rising octave . The theremin projects this idea with a pseudovocal timbre that becomes truly frightening as it repeats the tones with a gradually increasing volume . The film's most frightening scene comes later ...
Side 190
... tones that descend through the octave . These tones suggest the menacing presence of Max Cady ( Robert Mitchum ) . Cady is stalking the family of his defense attorney ( Gregory Peck ) , whose purposely botched defense of the dangerous ...
... tones that descend through the octave . These tones suggest the menacing presence of Max Cady ( Robert Mitchum ) . Cady is stalking the family of his defense attorney ( Gregory Peck ) , whose purposely botched defense of the dangerous ...
Side 217
... tones of which bear a striking similarity to his theme from The Killers ( and also the Dragnet motif ) . Adding to the colorfulness of this score is Rozsa's use of a Hungarian folk instrument , the cimbalom ; the instrument can be ...
... tones of which bear a striking similarity to his theme from The Killers ( and also the Dragnet motif ) . Adding to the colorfulness of this score is Rozsa's use of a Hungarian folk instrument , the cimbalom ; the instrument can be ...
Innhold
Music and the Birth of Film | 1 |
DREAM STREET | 8 |
WARNER BROS AND THE BIRTH OF VITAPHONE 12 WILLIAM FOX AND THE CASESPONABLE | 15 |
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The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 2013 |
Vanlige uttrykk og setninger
accompanied album Alfred Newman American arrangements background score Barry became began Bernard Herrmann box-office brass Broadway career CD*x VHS LD chords Copland created David decade Dimitri Tiomkin director dramatic Elmer Bernstein film composers film music film scores film version film-music film's filmmakers Franz Waxman George Hans Zimmer heard Henry Mancini Hollywood HORT CUTS Ibid instruments Jarre jazz Jerry Goldsmith John Williams Korngold later Liner notes love theme lyrical main theme main-title theme Mancini Maurice Jarre Max Steiner melodic idea melody memorable Michael Miklos Rozsa minor-key Morricone motif motion picture movie musical films musicians novel opening credits orchestral original score Oscar nomination Oscar-winning piano piece played popular produced recording released rhythmic Richard role romantic scene screen singing solo song sound soundtrack Star story strings studio style symphonic theaters theremin tones tune violin waltz Warner Bros Waxman Williams's woodwinds York young