The Religion and Philosophy of Tēvāram: With Special Reference to Nampi Ārūrar (Sundarar)University of Madras, 1990 - 1306 sider |
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Side 244
... Mother Goddess . Śiva is always found inseparable in the re- presentations with the Mother Goddess . The Purvakāraṇagama , however , states in the representation of Bhikṣāṭana , Kaṁkāla , Hari- hara , Ardhanāriśvara , Kāmāntaka ...
... Mother Goddess . Śiva is always found inseparable in the re- presentations with the Mother Goddess . The Purvakāraṇagama , however , states in the representation of Bhikṣāṭana , Kaṁkāla , Hari- hara , Ardhanāriśvara , Kāmāntaka ...
Side 488
... Mother stands on the left . She , re- presenting Śiva's Grace , inspires the Dance — a dance born of love for Her and pity for the souls to be redeemed . All art is so inspired by these great sentiments . The poet sings , ' So that she ...
... Mother stands on the left . She , re- presenting Śiva's Grace , inspires the Dance — a dance born of love for Her and pity for the souls to be redeemed . All art is so inspired by these great sentiments . The poet sings , ' So that she ...
Side 558
... Mother . They are not two separate entities but a united whole , where one becomes the other . In poetic language this is expressed as an embrace of the loving pair where the characteri- stic feature of the one becomes the ...
... Mother . They are not two separate entities but a united whole , where one becomes the other . In poetic language this is expressed as an embrace of the loving pair where the characteri- stic feature of the one becomes the ...
Innhold
VOLUME I | 1 |
CHAPTER | 5 |
The Hymns Their Compilation and Their Name | 19 |
Opphavsrett | |
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according adorned Agamas Aiyaṭika appears Arjuna arms Ārūrar Ārūrar speaks ashes beautiful become begging Bhūtas Brahma Brahmin bull called Campantar Cēkkiļār Cēra Cōla crown Dakṣa dance described Dēvas divine elephant explained Ēyar eyes feet fire flower gives Grace head holding hymn Ibid inscription interpretation Kailāsanātha Kalarcinkan Kāma Kāñci Kāṭavarkōn Kollam Kōṭpuli last verse Linga Lord meaning mentioned mind Mother mūrti Murukan Nāga Nampi Ārūrar Nandivarman Nandivarman III Narasimhavarman Nāyaṇār Pallava Pallava king Pandya panel Paravai Pārvati patikams Periyapurāṇam phrase Plate poems poet poet speaks poison pose praise probably Purāṇam Purāņas Rājasimha Rāvana refers sacred saints Saivism Saivite sang Sanskrit sculptures serpent shrine side significance singing Śiva Śiva and Pārvati Śiva's skull South India stands story suggests Sundarar sung Tamil land temple Tēvāram tion Tiru Tirumurai Tiruppatikam Tiruvarur tradition trident Vēdas Viṣṇu whilst word worship Yama yōga