The Religion and Philosophy of Tēvāram: With Special Reference to Nampi Ārūrar (Sundarar)University of Madras, 1990 - 1306 sider |
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Side 184
... expressing it to be understood by the man in the street . This science of spiritual semantics has given rise to the Hindu Icono- graphy . As an expression of art , these image forms have a uni- versal appeal but the full significance ...
... expressing it to be understood by the man in the street . This science of spiritual semantics has given rise to the Hindu Icono- graphy . As an expression of art , these image forms have a uni- versal appeal but the full significance ...
Side 622
... expression of the great Truth which is Purity— a subjective experience of the Absolute - a poet's vision or a vision of the mystic - unique as the vision of a particular mystic soul expressed in its language giving an expression and a ...
... expression of the great Truth which is Purity— a subjective experience of the Absolute - a poet's vision or a vision of the mystic - unique as the vision of a particular mystic soul expressed in its language giving an expression and a ...
Side 662
... expression to the mantra Namasivāya ” ( 3 ) . " O , my Patron of limitless fame ! The Lord of my father ! My gold ! My precious gem ! Even if I forget , my tongue will give expression to the mantra Namaśivāya ” ( 4 ) . The poet forgets ...
... expression to the mantra Namasivāya ” ( 3 ) . " O , my Patron of limitless fame ! The Lord of my father ! My gold ! My precious gem ! Even if I forget , my tongue will give expression to the mantra Namaśivāya ” ( 4 ) . The poet forgets ...
Innhold
VOLUME I | 1 |
CHAPTER | 5 |
The Hymns Their Compilation and Their Name | 19 |
Opphavsrett | |
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according adorned Agamas Aiyaṭika appears Arjuna arms Ārūrar Ārūrar speaks ashes beautiful become begging Bhūtas Brahma Brahmin bull called Campantar Cēkkiļār Cēra Cōla crown Dakṣa dance described Dēvas divine elephant explained Ēyar eyes feet fire flower gives Grace head holding hymn Ibid inscription interpretation Kailāsanātha Kalarcinkan Kāma Kāñci Kāṭavarkōn Kollam Kōṭpuli last verse Linga Lord meaning mentioned mind Mother mūrti Murukan Nāga Nampi Ārūrar Nandivarman Nandivarman III Narasimhavarman Nāyaṇār Pallava Pallava king Pandya panel Paravai Pārvati patikams Periyapurāṇam phrase Plate poems poet poet speaks poison pose praise probably Purāṇam Purāņas Rājasimha Rāvana refers sacred saints Saivism Saivite sang Sanskrit sculptures serpent shrine side significance singing Śiva Śiva and Pārvati Śiva's skull South India stands story suggests Sundarar sung Tamil land temple Tēvāram tion Tiru Tirumurai Tiruppatikam Tiruvarur tradition trident Vēdas Viṣṇu whilst word worship Yama yōga