The Religion and Philosophy of Tēvāram: With Special Reference to Nampi Ārūrar (Sundarar)University of Madras, 1990 - 1306 sider |
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Side 600
... taken refuge in your feet " ( 7 ) . “ I , the slave , have become the slave of those who had taken refuge in your feet . But yet , I shall not cease singing your praises . I have befriended you so as to realize you through my songs and ...
... taken refuge in your feet " ( 7 ) . “ I , the slave , have become the slave of those who had taken refuge in your feet . But yet , I shall not cease singing your praises . I have befriended you so as to realize you through my songs and ...
Side 675
... taken the place of some other word denoting the nearer relatives . IV This hymn is important as showing the kind of Royal life which our poet has led in the company of the chiefs in his days as is made clear by verse No. 6. The ...
... taken the place of some other word denoting the nearer relatives . IV This hymn is important as showing the kind of Royal life which our poet has led in the company of the chiefs in his days as is made clear by verse No. 6. The ...
Side 777
... taken to mean the body , when these passions may be taken to be bub- bling up within the body of ours . There is also another reading ' kalaiyam vaitta ' where the ' kalaiyam ' can only mean the bot , meta- phorically meaning the body ...
... taken to mean the body , when these passions may be taken to be bub- bling up within the body of ours . There is also another reading ' kalaiyam vaitta ' where the ' kalaiyam ' can only mean the bot , meta- phorically meaning the body ...
Innhold
VOLUME I | 1 |
CHAPTER | 5 |
The Hymns Their Compilation and Their Name | 19 |
Opphavsrett | |
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according adorned Agamas Aiyaṭika appears Arjuna arms Ārūrar Ārūrar speaks ashes beautiful become begging Bhūtas Brahma Brahmin bull called Campantar Cēkkiļār Cēra Cōla crown Dakṣa dance described Dēvas divine elephant explained Ēyar eyes feet fire flower gives Grace head holding hymn Ibid inscription interpretation Kailāsanātha Kalarcinkan Kāma Kāñci Kāṭavarkōn Kollam Kōṭpuli last verse Linga Lord meaning mentioned mind Mother mūrti Murukan Nāga Nampi Ārūrar Nandivarman Nandivarman III Narasimhavarman Nāyaṇār Pallava Pallava king Pandya panel Paravai Pārvati patikams Periyapurāṇam phrase Plate poems poet poet speaks poison pose praise probably Purāṇam Purāņas Rājasimha Rāvana refers sacred saints Saivism Saivite sang Sanskrit sculptures serpent shrine side significance singing Śiva Śiva and Pārvati Śiva's skull South India stands story suggests Sundarar sung Tamil land temple Tēvāram tion Tiru Tirumurai Tiruppatikam Tiruvarur tradition trident Vēdas Viṣṇu whilst word worship Yama yōga