The WoodlandersPenguin, 1. aug. 1998 - 464 sider ‘Tis a pity to let such a girl throw herself away upon him – a thousand pities!’ When country-girl, Grace Melbury, returns home from her middle-class school, she feels she is now above her suitor, the simple woodsman Giles Winterborne. Though marriage has been discussed between her and Giles, Grace soon finds herself captivated by Dr Edred Fitzpiers, a sophisticated newcomer to the area – a relationship that is encouraged by her socially ambitious father. Hardy’s novel of betrayal, disillusionment and moral compromise depicts a secluded community coming to terms with the disastrous impact of outside influences. And in his portrayal of Giles Winterborne, Hardy shows a man who responds deeply to the forces of the natual world, which, ultimately, betray him. In her introduction Patricia Ingham examines class and gender differences, the influence of Darwinism, Hardy’s use of language and the symbolism of nature in the novel. This edition also includes a chronology, a map of Hardy’s Wessex, a list for further reading, appendices and a glossary. |
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... London architect, Arthur Blomfield, employed him as a draughtsman. Self-education continued. 1867 Returned to Dorset as a jobbing architect. He worked for Hicks on church restoration. 1868 Completed his first novel The Poor Man and the.
... London architect, Arthur Blomfield, employed him as a draughtsman. Self-education continued. 1867 Returned to Dorset as a jobbing architect. He worked for Hicks on church restoration. 1868 Completed his first novel The Poor Man and the.
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... continued to live at Max Gate but were now estranged and 'kept separate'. 1901 Poems of the Past and the Present. 1902 Macmillan became his publishers. 1904 Part I of The Dynasts (epic-drama in verse on Napoleon). Hardy's mother, Jemima ...
... continued to live at Max Gate but were now estranged and 'kept separate'. 1901 Poems of the Past and the Present. 1902 Macmillan became his publishers. 1904 Part I of The Dynasts (epic-drama in verse on Napoleon). Hardy's mother, Jemima ...
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... continued in the 1896 edition. In the manuscript she had been specifically described as 'the daughter of an eminent painter'; in 1887 this claim is no longer made. It is merely stated that she does not care about the mysterious merit ...
... continued in the 1896 edition. In the manuscript she had been specifically described as 'the daughter of an eminent painter'; in 1887 this claim is no longer made. It is merely stated that she does not care about the mysterious merit ...
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Beklager, innholdet på denne siden er tilgangsbegrenset..
Beklager, innholdet på denne siden er tilgangsbegrenset..
Side
Beklager, innholdet på denne siden er tilgangsbegrenset..
Beklager, innholdet på denne siden er tilgangsbegrenset..
Innhold
CHAPTER XVI | |
VOLUME II | |
CHAPTER XVII | |
VOLUME III | |
CHAPTER I | |
CHAPTER II | |
CHAPTER III | |
CHAPTER IV | |
CHAPTER I | |
CHAPTER II | |
CHAPTER III | |
CHAPTER IV | |
CHAPTER V | |
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER IX | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XII | |
CHAPTER XIII | |
CHAPTER XIV | |
CHAPTER XV | |
CHAPTER V | |
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER IX | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XII | |
CHAPTER XIII | |
CHAPTER XIV | |
CHAPTER XV | |
APPENDIX I | |
NOTES | |
GLOSSARY | |
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