The WoodlandersPenguin, 1. aug. 1998 - 464 sider ‘Tis a pity to let such a girl throw herself away upon him – a thousand pities!’ When country-girl, Grace Melbury, returns home from her middle-class school, she feels she is now above her suitor, the simple woodsman Giles Winterborne. Though marriage has been discussed between her and Giles, Grace soon finds herself captivated by Dr Edred Fitzpiers, a sophisticated newcomer to the area – a relationship that is encouraged by her socially ambitious father. Hardy’s novel of betrayal, disillusionment and moral compromise depicts a secluded community coming to terms with the disastrous impact of outside influences. And in his portrayal of Giles Winterborne, Hardy shows a man who responds deeply to the forces of the natual world, which, ultimately, betray him. In her introduction Patricia Ingham examines class and gender differences, the influence of Darwinism, Hardy’s use of language and the symbolism of nature in the novel. This edition also includes a chronology, a map of Hardy’s Wessex, a list for further reading, appendices and a glossary. |
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... seen in few were of runic obscurity, but all together made an alphabet [my emphases]. The suggestion of a visible past which only these two can perceive is captured by the assertion that they alone have the secret of the ancient and ...
... seen in few were of runic obscurity, but all together made an alphabet [my emphases]. The suggestion of a visible past which only these two can perceive is captured by the assertion that they alone have the secret of the ancient and ...
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... seen 'pale dangling arms of ivy which had crept through the joints of the tiles and were groping in vain for some support, their leaves being dwarfed and sickly for want of sunlight'. Trees reveal 'old amputations' and are wrinkled ...
... seen 'pale dangling arms of ivy which had crept through the joints of the tiles and were groping in vain for some support, their leaves being dwarfed and sickly for want of sunlight'. Trees reveal 'old amputations' and are wrinkled ...
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... seen by the country people as 'a farce'. Fitzpiers similarly overacts the part of a conventional romantic lover towards Grace, saying 'I almost wept when I awoke and found that you had appeared to me in Time, but not in Space, alas ...
... seen by the country people as 'a farce'. Fitzpiers similarly overacts the part of a conventional romantic lover towards Grace, saying 'I almost wept when I awoke and found that you had appeared to me in Time, but not in Space, alas ...
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... seen as doing. Like Humpty Dumpty the middle-class characters are in the position of making things mean what they want them to mean and using their social skills and independence to sustain and exploit their fictions. It appears that a ...
... seen as doing. Like Humpty Dumpty the middle-class characters are in the position of making things mean what they want them to mean and using their social skills and independence to sustain and exploit their fictions. It appears that a ...
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... seen as a sign of will-power or even stoicism. 'I'll survive' can be a brave assertion of the kind uttered in Hardy's novels by semiheroic figures like Henchard in The Mayor of Casterbridge. His claim that 'My punishment is not greater ...
... seen as a sign of will-power or even stoicism. 'I'll survive' can be a brave assertion of the kind uttered in Hardy's novels by semiheroic figures like Henchard in The Mayor of Casterbridge. His claim that 'My punishment is not greater ...
Innhold
CHAPTER XVI | |
VOLUME II | |
CHAPTER XVII | |
VOLUME III | |
CHAPTER I | |
CHAPTER II | |
CHAPTER III | |
CHAPTER IV | |
CHAPTER I | |
CHAPTER II | |
CHAPTER III | |
CHAPTER IV | |
CHAPTER V | |
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER IX | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XII | |
CHAPTER XIII | |
CHAPTER XIV | |
CHAPTER XV | |
CHAPTER V | |
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER IX | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XII | |
CHAPTER XIII | |
CHAPTER XIV | |
CHAPTER XV | |
APPENDIX I | |
NOTES | |
GLOSSARY | |
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