: And she believes, wherever they are gone, Duke F. Send to his brother; fetch that gallant hither; If he be absent, bring his brother to me, SCENE III. Before Oliver's house. Orl. Who's there? [Exeunt. Adam. What! my young master?-O, my gentle master, O, my sweet master, O you memory Of old sir Rowland! why, what make you here? Your praise is come too swiftly home before you. O, what a world is this, when what is comely Orl. Why, what's the matter? O unhappy youth, Come not within these doors; within this roof Your brother-(no, no brother; yet the son Yet not the son ;-I will not call him son Of him I was about to call his father,) Hath heard your praises; and this night he means To burn the lodging where you use to lie, And you within it: if he fail of that, He will have other means to cut you off: I overheard him, and his practices. This is no place, this house is but a butchery; Abhor it, fear it, do not enter it. Orl. Why, whither, Adam, wouldst thou have me go? Adam. No matter whither, so you come not here. Orl. What, wouldst thou have me go and beg my food? Or, with a base and boisterous sword, enforce Adam. But do not so: I have five hundred crowns, Therefore my age is as a lusty winter, Orl. O good old man; how well in thee appears Adam. Master, go on; and I will follow thee, SCENE IV. The forest of Arden. Enter ROSALIND in boy's clothes, CELIA drest like a Shepherdess, and TOUCHSTONE. Ros. O Jupiter! how weary are my spirits! Touch. I care not for my spirits, if my legs were not weary. Ros. I could find in my heart to disgrace my man's apparel, and to cry like a woman: but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat: therefore, courage, good Aliena. Cel. I pray you, bear with me; I cannot go no further. Touch. For my part, I had rather bear with you, than bear you: yet I should bear no cross, if I did bear you; for, I think, you have no money in your purse. Ros. Well, this is the forest of Arden. Touch. Ay, now am I in Arden: the more fool I; when I was at home, I was in a better place; but travellers must be content. Ros. Ay, be so, good Touchstone :-Look you, who comes here; a young man, and an old, in solemn talk. Enter CORIN and SILVIUS. Cor. That is the way to make her scorn you still. Sil. O Corin, that thou knew'st how I do love her ! Cor. I partly guess; for I have lov'd ere now. Sil. No, Corin, being old, thou canst not guess; Though in thy youth thou wast as true a lover As ever sigh'd upon a midnight pillow : But if thy love were ever like to mine, (As sure I think did never man love so,) How many actions most ridiculous Hast thou been drawn to by thy fantasy? Cor. Into a thousand that I have forgotten. Sil. O, thou didst then ne'er love so heartily: If thou remember'st not the slightest folly That ever love did make thee run into, : Thou hast not lov'd: Or if thou hast not sat as I do now, Wearying thy hearer in thy mistress' praise, Or if thou hast not broke from company, [Exit SILVIUS. Ros. Alas, poor shepherd! searching of thy wound, I have by hard adventure found mine own. Touch. And I mine: I remember, when I was in love, I broke my sword upon a stone, and bid him take that for coming anight to Jane Smile: and I remember the kissing of her batlet, and the cow's dugs that her pretty chop'd hands had milk'd: and I remember the wooing of a peascod instead of her; from whom I took two cods, and, giving her them again, said with weeping tears, Wear these for my sake. We, that are true lovers, run into strange capers; but as all is mortal in nature, so is all nature in love mortal in folly. Ros. Thou speak'st wiser, than thou art. 'ware of. Touch. Nay, I shall ne'er be 'ware of mine own wit, till I break my shins against it. Ros. Jove! Jove! this shepherd's passion Is much upon my fashion. Touch. And mine; but it grows something stale with me. Cel. I pray you, one of you question yond man, If he for gold will give us any food; I faint almost to death. Touch. Holla; you, clown! Ros. Peace, fool; he's not thy kinsman |