Papers Read at the Royal Institute of British ArchitectsThe Institute, 1865 |
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Side 9
... effect to cities , such as Bruges or Amsterdam . The first feeling of the stranger , who comes unexpectedly upon the sumptuous palaces , which are for example growing up in that dingy and narrow thoroughfare Lombard Street , is probably ...
... effect to cities , such as Bruges or Amsterdam . The first feeling of the stranger , who comes unexpectedly upon the sumptuous palaces , which are for example growing up in that dingy and narrow thoroughfare Lombard Street , is probably ...
Side 19
... effect of his work upon the eye when finished would be as gross a calumny upon his branch of work as it would be upon architecture to say that an architect as such , need know , or does know , nothing of the principles or practice of ...
... effect of his work upon the eye when finished would be as gross a calumny upon his branch of work as it would be upon architecture to say that an architect as such , need know , or does know , nothing of the principles or practice of ...
Side 21
... effect , great regard must be paid not only to the implements used but to the mode of using them . One prevalent failing in such modern work is that it is so intensely tame and shoppy in its finish . The cold chisel , the scissors , the ...
... effect , great regard must be paid not only to the implements used but to the mode of using them . One prevalent failing in such modern work is that it is so intensely tame and shoppy in its finish . The cold chisel , the scissors , the ...
Side 22
... effect . So , too , forged work ought to show the hammer marks , and wherefore should the roughness of the fire marks be filed down , when , by cold hammering , its surface can be greatly hardened and its tone deepened , its play of ...
... effect . So , too , forged work ought to show the hammer marks , and wherefore should the roughness of the fire marks be filed down , when , by cold hammering , its surface can be greatly hardened and its tone deepened , its play of ...
Side 23
... effect first designed for it . We do not want the poorest description of that which aspires to be of the highest order ; but rather we want the best of its kind in everything , even in that which is of the lowest order of manufacture ...
... effect first designed for it . We do not want the poorest description of that which aspires to be of the highest order ; but rather we want the best of its kind in everything , even in that which is of the lowest order of manufacture ...
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Abbey aisles altar ancient ancient lights angle appears apse apsis Aqua Aqua Marcia aqueduct arcade arches architects architecture artist Ashpitel beauty British Architects building Caen called carried Cathedral centre century chancel chapels character choir church clerestory cloister colour construction decoration drawing easement effect English erected evidence examination feet foliage French Frontinus G. E. STREET Gothic ground hypethral inches Institute of British interesting iron Kilkenny light and air Lincoln Cathedral London Lord Chancellor marble material Medieval monuments mouldings nature nave obstruction opinion original ornament painting paper Papworth present principle Professor Donaldson Professor Kerr Pudsey purpose question remains remarks restoration right of light Roman Romanesque Rome roof sculpture shew side spires stone style supply surface temple thought tiles tower transept triforium vaulted Vitruvius vote of thanks walls window
Populære avsnitt
Side 7 - If a straight line touch a circle, and from the point of contact a straight line be drawn at right angles to the touching line, the centre of the circle shall be in that line.
Side 36 - tis a thing impossible to frame Conceptions equal to the soul's desires, And the most difficult of tasks to keep Heights which the soul is competent to gain.
Side 10 - Architecture certainly possesses many principles in common with Poetry and Painting. Among those which may be reckoned as the first, is, that of affecting the imagination by means of association of ideas.
Side 2 - In obtuse-angled triangles, if a perpendicular be drawn from either of the acute angles to the opposite side produced, the square on the side subtending the obtuse angle, is greater than the squares on the sides containing the obtuse angle, by twice the rectangle contained by the side...
Side 2 - THE angles at the base of an isosceles triangle are equal to one another : and, if the equal sides be produced, the angles upon the other side of the base shall be equal.
Side 7 - IF a straight line be drawn parallel to one of the sides of a triangle, it shall cut the other sides, or those produced, proportionally; and if the sides, or the sides produced, be cut proportionally, the straight line which joins the points of section shall be parallel to the remaining side of the triangle...
Side 165 - That, when the access and use of light to and for any dwelling-house, workshop, or other building, shall have been actually enjoyed therewith for the full period of twenty years without interruption, the right thereto shall be deemed absolute and indefeasible...
Side 7 - To describe an isosceles triangle, having each of the angles at the base double of the third angle.
Side 170 - ... what principle can it be said that a person, by endeavouring to extend a right, must be held to have abandoned it ; when, so far from manifesting any such intention, he evinces his determination to retain it, and to acquire something beyond it? If under such circumstances abandonment of the right cannot be assumed, as little can it be said that it is a cause of forfeiture.
Side 10 - ... is, that of affecting the imagination by means of association of ideas. Thus, for instance, as we have naturally a veneration for antiquity, whatever building brings to our remembrance ancient customs and manners, such as the castles of the Barons of ancient chivalry, is sure to give this delight. Hence it is that towers and battlements...