Papers Read at the Royal Institute of British ArchitectsThe Institute, 1865 |
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Side 7
... windows , " the cartoons for such windows . being , as we have seen , ever so many classes back . After exhausting other materials the classifier seems to have thought that the time for metal had arrived , and with a true system ...
... windows , " the cartoons for such windows . being , as we have seen , ever so many classes back . After exhausting other materials the classifier seems to have thought that the time for metal had arrived , and with a true system ...
Side 16
... windows , roofs and floors , and for every purpose in fact , whether of construction or of ornamentation , in which brick , or stone , or wood hitherto have been , but no longer will be , the generally recognised materials . " And we ...
... windows , roofs and floors , and for every purpose in fact , whether of construction or of ornamentation , in which brick , or stone , or wood hitherto have been , but no longer will be , the generally recognised materials . " And we ...
Side 48
... window and the wall ( as I have said elsewhere ) were all brought within the category of the same rigid table of art laws . Glass , pottery , walls , pictures , mosaics , were all to be treated alike - and why ? because the artists were ...
... window and the wall ( as I have said elsewhere ) were all brought within the category of the same rigid table of art laws . Glass , pottery , walls , pictures , mosaics , were all to be treated alike - and why ? because the artists were ...
Side 54
... windows ( the channel and key of internal light ) throw tinted rays upon plain surfaces , or pure light upon tinted objects - admitting polychromy , broad shades , and materials with native colour , deep voids and prominent solids ...
... windows ( the channel and key of internal light ) throw tinted rays upon plain surfaces , or pure light upon tinted objects - admitting polychromy , broad shades , and materials with native colour , deep voids and prominent solids ...
Side 2
... windows , and other necessary features . The details of construction will be required to be drawn on a subsequent day to larger scales . The Staircase itself is to be considered the important part of the design , and to be carefully ...
... windows , and other necessary features . The details of construction will be required to be drawn on a subsequent day to larger scales . The Staircase itself is to be considered the important part of the design , and to be carefully ...
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Abbey aisles altar ancient ancient lights angle appears apse apsis Aqua Aqua Marcia aqueduct arcade arches architects architecture artist Ashpitel beauty British Architects building Caen called carried Cathedral centre century chancel chapels character choir church clerestory cloister colour construction decoration drawing easement effect English erected evidence examination feet foliage French Frontinus G. E. STREET Gothic ground hypethral inches Institute of British interesting iron Kilkenny light and air Lincoln Cathedral London Lord Chancellor marble material Medieval monuments mouldings nature nave obstruction opinion original ornament painting paper Papworth present principle Professor Donaldson Professor Kerr Pudsey purpose question remains remarks restoration right of light Roman Romanesque Rome roof sculpture shew side spires stone style supply surface temple thought tiles tower transept triforium vaulted Vitruvius vote of thanks walls window
Populære avsnitt
Side 7 - If a straight line touch a circle, and from the point of contact a straight line be drawn at right angles to the touching line, the centre of the circle shall be in that line.
Side 36 - tis a thing impossible to frame Conceptions equal to the soul's desires, And the most difficult of tasks to keep Heights which the soul is competent to gain.
Side 10 - Architecture certainly possesses many principles in common with Poetry and Painting. Among those which may be reckoned as the first, is, that of affecting the imagination by means of association of ideas.
Side 2 - In obtuse-angled triangles, if a perpendicular be drawn from either of the acute angles to the opposite side produced, the square on the side subtending the obtuse angle, is greater than the squares on the sides containing the obtuse angle, by twice the rectangle contained by the side...
Side 2 - THE angles at the base of an isosceles triangle are equal to one another : and, if the equal sides be produced, the angles upon the other side of the base shall be equal.
Side 7 - IF a straight line be drawn parallel to one of the sides of a triangle, it shall cut the other sides, or those produced, proportionally; and if the sides, or the sides produced, be cut proportionally, the straight line which joins the points of section shall be parallel to the remaining side of the triangle...
Side 165 - That, when the access and use of light to and for any dwelling-house, workshop, or other building, shall have been actually enjoyed therewith for the full period of twenty years without interruption, the right thereto shall be deemed absolute and indefeasible...
Side 7 - To describe an isosceles triangle, having each of the angles at the base double of the third angle.
Side 170 - ... what principle can it be said that a person, by endeavouring to extend a right, must be held to have abandoned it ; when, so far from manifesting any such intention, he evinces his determination to retain it, and to acquire something beyond it? If under such circumstances abandonment of the right cannot be assumed, as little can it be said that it is a cause of forfeiture.
Side 10 - ... is, that of affecting the imagination by means of association of ideas. Thus, for instance, as we have naturally a veneration for antiquity, whatever building brings to our remembrance ancient customs and manners, such as the castles of the Barons of ancient chivalry, is sure to give this delight. Hence it is that towers and battlements...