The elements of musical analysisConstable, 1858 - 266 sider |
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accompaniment alto staff amongst ascending bass staff bo bo breve chromatic scale clef connecting interval correctly represented corresponds crotchet beats d major degrees derived diatonic major scale diatonic scale dotted duration eight notes f major f minor figure figured bass following passages indicated introduced kind of voice leger line letters lower major fifth major mode major second mark measures of rhythm melody minim minor mode minor scale minor seventh minor third musical effect musical sounds notes of sound occur octave passing notes period phrase piece placed principal key psalm-tune quaver reckoned relative minor rest scale of d scale of f scales with flats scales with sharps semibreve semiquaver semitone series of eight series of notes seventh note sharpened sharps or flats signature sing sixth note sometimes staves subdominant sung tenor staff term tion tone tonic treble staff triad tune upper whilst word written
Populære avsnitt
Side 269 - We do not remember having seen a work so completely to our mind as this, which combines sound theory with judicious practice. Proceeding step by step, it advances from the formation of the shortest sentences to the composition of complete essays, the pupil being everywhere...
Side 269 - London. [Extract from a letter to the Publishers.] Mr. Currie clearly knows the relative importance, and also the relative position of principles and practice, and with a master hand puts them in their respective places and preserves their position. He has his compeers in an effort to base the practice of the schoolroom on the recognised principles of childhood, but he outstrips them all in the way he has executed his task. Perhaps in no point does he more excel other writers than in the degree to...