And then all the wrongs that have wrapt thee in gloom And then too, his sorrows all over, thy Bard HEAR, COMRADES, HEAR. TUNE-" The Moreen." HEAR, Comrades, hear your Chieftain's voice, Then, come, let the gay glass circle round- Let mirth flow free, bright smiles abound, And be joy from the grape's juice borrow'd. Now hark! the deeds your sires have done, High in your breasts the pulse of life Throbs, the fire of your keen souls telling. Put round once more the sparkling wine- We'll boldly on at our country's call, Than to yield for a life inglorious. * * The Editor cannot help again stating his conviction that his readers, in common with himself, will have marked with regret the deplorable paucity of even middling pieces of poetry to accompany those exquisitely beautiful effervescences of Irish melody, which are the delight of every lover of music,-the merit (if merit it may be called) of most of the songs which may be deemed national, turning exclusively, as was formerly noticed, on barbarous indelicacy or wretched pun. It is highly gratifying to think that this defect is now fully remedied by the labours of the indefatigable Mг. THOMSON, whose work has been already referred to. As the labours of that Gentleman, however, may be beyond the reach of a number of the readers of this work, the Editor has solicited some of his poetical friends, on whose talents he could rely, to furnish him with new sets of verses for a few of the best Irish airs. In consequence of this application he has received from one Gentleman Why weep thus dear Norah (p. 177), Put round the full glass (p. 208), and The soul of an Irishman (p. 209); and from another, My Muse let us wake, see 179. The two songs which we now give, viz. When full in the broad light of Heav'n, and Hear, comrades, hear, are by the author of My Muse let us wake; and it will be found, the Editor hopes, that they, as well as the others above-mentioned, fully justify the confidence he placed in the talents of their authors. They contain, he thinks, those bright flashes of sentiment that secure to poetry its genuine object, namely, the excitement, even in our amusements, of those glowing sympathies and expanded feelings which are the best guarantees of individual liberty, and national independence. FROM GREAT LONDONDERRY. FROM great Londonderry to London so merry, This London, agrah! is the devil's own shop. The great city wax-work, was all a mere tax work, Ah! Paddy, &c. At night, how silly! along Piccadilly I wandered, when up comes a beautiful dame; The devil a watch was there left in my fob. DENNIS BULGRUDDERY. I was born once at home, when my mother was out Our cottage was fill'd, though 'twas not very big, With poultry and pictures, three chairs, and a pig; Our dog was call'd Dennis, our cow, Paddy Whack? But till christen'd, I hadn't a name to my back. Derry down, &c. When I came to be christen'd, my poor mother saw On my face our dog Dennis was setting his paw: What's his name, says the priest? down Dennis, says she; So Dennis Bulgruddery they christen'd me. Derry down, &c. I grew up, I got married, and left in the lurch, I was vex'd; and, says I, not to make a great fuss, And three by your own, which together make nine. Derry down, &c. To bury this lady came next in my head, For no other cause but because she was dead; So I married once more, (I suppose you guess who) My lambkin she scolds, when the brandy I sup, up; But though in a noose I am fast with a wife, But away with complaint, for myself ne'er intends Derry down, &c. ye for me. w MOLLY MOGG. My dear Molly Mogg, ye're as soft as a bog, As daft as a kitten; Those eyes in your face, oh! pity my case, Poor Paddy hath smitten; For softer than silk, and fair as new milk, Your lily-white hand is; Your shape's like a pail, from your head to your tail, You're straight as a wand is, You're straight as a wand is. |