Coleridge, Wordsworth, and the Language of AllusionClarendon Press, 1986 - 214 sider In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of "creative" misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's "private language" of allusion that these differences are most clearly seen, the book concludes that this "private language" spoken by artists amongst themselves may in fact be the most aggressive of literary forms. |
Inni boken
Resultat 1-3 av 23
Side 24
... recluse had trained his yew - tree to shut out the light ; Coleridge admits and welcomes the evening sunshine which filters through the leaves . The recluse had been unable to link his own setting with the distant scene ; he observes ...
... recluse had trained his yew - tree to shut out the light ; Coleridge admits and welcomes the evening sunshine which filters through the leaves . The recluse had been unable to link his own setting with the distant scene ; he observes ...
Side 97
... Recluse , which in its original conception had been designed to celebrate the ' One Life ' , and which he himself goes on thinking of in such terms . 10 Writing to Poole in October 1803 , when he briefly thinks Wordsworth has gone back ...
... Recluse , which in its original conception had been designed to celebrate the ' One Life ' , and which he himself goes on thinking of in such terms . 10 Writing to Poole in October 1803 , when he briefly thinks Wordsworth has gone back ...
Side 166
... Recluse . Wordsworth's obligation to Coleridge ( who had foisted the scheme on him in spring 1798 ) means that he should be writing a public poem , a philosophical poem , a poem of redemption for mankind . What he finds himself writing ...
... Recluse . Wordsworth's obligation to Coleridge ( who had foisted the scheme on him in spring 1798 ) means that he should be writing a public poem , a philosophical poem , a poem of redemption for mankind . What he finds himself writing ...
Innhold
Introduction The First Acquaintance of the Poets 17937 | 3 |
The Early Days at Alfoxden | 17 |
Alfoxden and the making of a | 32 |
Opphavsrett | |
7 andre deler vises ikke
Andre utgaver - Vis alle
Coleridge, Wordsworth and the Language of Allusion Lucy Newlyn Ingen forhåndsvisning tilgjengelig - 2001 |
Vanlige uttrykk og setninger
allusion asked associations aware becomes begins Biographia Book Borderers called Chapter child childhood claims Coleridge Coleridge's comes connection continues contrast creative describe earlier early earth echo fact fancy fear feel final Frost at Midnight given gives Griggs Hartley heart hope human imagination implied Intimations kind language later less Letter light lines living look loss Lyrical March meaning memory metaphor Milton mind mood moving myth Nature never offers once original pain passage passion past Pedlar phrase play poem poet poet's poetry possible Prelude present reason recalls reference relationship response Sara scene seems seen sense shape shared soul sounds spirit stage stanza suggest symbolic takes thee things thou thought Tree turns values vision voice whole wish Wordsworth writing written
Referanser til denne boken
Masters of Repetition: Poetry, Culture, and Work in Thomson, Wordsworth ... Lisa Malinowski Steinman Ingen forhåndsvisning tilgjengelig - 1998 |