Coleridge, Wordsworth, and the Language of AllusionClarendon Press, 1986 - 214 sider In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of "creative" misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's "private language" of allusion that these differences are most clearly seen, the book concludes that this "private language" spoken by artists amongst themselves may in fact be the most aggressive of literary forms. |
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Side 97
... asked Thelwall , in a letter written in December of that year : Are not his Personages more sublimely cloathed ? And do you not know , that there is not perhaps one page in Milton's Paradise Lost , in which he has not borrowed his ...
... asked Thelwall , in a letter written in December of that year : Are not his Personages more sublimely cloathed ? And do you not know , that there is not perhaps one page in Milton's Paradise Lost , in which he has not borrowed his ...
Side 129
Lucy Newlyn. & when erelong I asked his history , he in reply Was neither slow nor eager , but unmoved , And with a quiet uncomplaining voice , A stately air of mild indifference , He told a simple fact ... ( 11. 94–9 ; my italics ) ...
Lucy Newlyn. & when erelong I asked his history , he in reply Was neither slow nor eager , but unmoved , And with a quiet uncomplaining voice , A stately air of mild indifference , He told a simple fact ... ( 11. 94–9 ; my italics ) ...
Side 151
... asked to look at the child as an emblem , or epitome , of human life . Wordsworth is again alluding , as he had done two years earlier in To H.C. , to the rhetorical opening of Marvell's On a Drop of Dew , with its more subdued commands ...
... asked to look at the child as an emblem , or epitome , of human life . Wordsworth is again alluding , as he had done two years earlier in To H.C. , to the rhetorical opening of Marvell's On a Drop of Dew , with its more subdued commands ...
Innhold
Introduction The First Acquaintance of the Poets 17937 | 3 |
The Early Days at Alfoxden | 17 |
Alfoxden and the making of a | 32 |
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Coleridge, Wordsworth and the Language of Allusion Lucy Newlyn Ingen forhåndsvisning tilgjengelig - 2001 |
Vanlige uttrykk og setninger
allusion asked associations aware becomes begins Biographia Book Borderers called Chapter child childhood claims Coleridge Coleridge's comes connection continues contrast creative describe earlier early earth echo fact fancy fear feel final Frost at Midnight given gives Griggs Hartley heart hope human imagination implied Intimations kind language later less Letter light lines living look loss Lyrical March meaning memory metaphor Milton mind mood moving myth Nature never offers once original pain passage passion past Pedlar phrase play poem poet poet's poetry possible Prelude present reason recalls reference relationship response Sara scene seems seen sense shape shared soul sounds spirit stage stanza suggest symbolic takes thee things thou thought Tree turns values vision voice whole wish Wordsworth writing written
Referanser til denne boken
Masters of Repetition: Poetry, Culture, and Work in Thomson, Wordsworth ... Lisa Malinowski Steinman Ingen forhåndsvisning tilgjengelig - 1998 |