Coleridge, Wordsworth, and the Language of AllusionClarendon Press, 1986 - 214 sider In her study of two creative minds, Lucy Newlyn offers a startlingly new version of the poetic interaction between Coleridge and Wordsworth during the critical years from 1797 to 1807. Rejecting the traditional accounts, even those given by the poets themselves, which have minimized the differences between the two, Newlyn demonstrates that it is only on the most superficial level that each poet seemed to be the other's ideal audience. Below that surface, she insists, there were radical dissimilarities between the two which led to a kind of "creative" misunderstanding by which each artist clearly defined himself in relation to the other. Because it is in the poet's "private language" of allusion that these differences are most clearly seen, the book concludes that this "private language" spoken by artists amongst themselves may in fact be the most aggressive of literary forms. |
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Side 45
... contrast the artificial poet ( a city - dweller , who constructs poems about birds he never hears ) with the genuine visionary , ' surrendering his whole spirit ' to Nature's language ( 11. 23–39 ) . The latter is of course an ...
... contrast the artificial poet ( a city - dweller , who constructs poems about birds he never hears ) with the genuine visionary , ' surrendering his whole spirit ' to Nature's language ( 11. 23–39 ) . The latter is of course an ...
Side 51
... contrast is easily grasped ; but its convenience is an evasion of the more subtle ways in which divergence happens ... contrasts : ' Where Coleridge's Ancient Mariner is alienated from the spiritual world , Peter is alienated from the ...
... contrast is easily grasped ; but its convenience is an evasion of the more subtle ways in which divergence happens ... contrasts : ' Where Coleridge's Ancient Mariner is alienated from the spiritual world , Peter is alienated from the ...
Side 135
... contrast can be quickly exemplified , by putting the stone and sea - beast simile alongside a Notebook entry of Coleridge's , belonging also to spring 1802 : ' The rocks and Stones seemed to live put on a vital semblance ; and Life ...
... contrast can be quickly exemplified , by putting the stone and sea - beast simile alongside a Notebook entry of Coleridge's , belonging also to spring 1802 : ' The rocks and Stones seemed to live put on a vital semblance ; and Life ...
Innhold
Introduction The First Acquaintance of the Poets 17937 | 3 |
The Early Days at Alfoxden | 17 |
Alfoxden and the making of a | 32 |
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Coleridge, Wordsworth and the Language of Allusion Lucy Newlyn Ingen forhåndsvisning tilgjengelig - 2001 |
Vanlige uttrykk og setninger
allusion asked associations aware becomes begins Biographia Book Borderers called Chapter child childhood claims Coleridge Coleridge's comes connection continues contrast creative describe earlier early earth echo fact fancy fear feel final Frost at Midnight given gives Griggs Hartley heart hope human imagination implied Intimations kind language later less Letter light lines living look loss Lyrical March meaning memory metaphor Milton mind mood moving myth Nature never offers once original pain passage passion past Pedlar phrase play poem poet poet's poetry possible Prelude present reason recalls reference relationship response Sara scene seems seen sense shape shared soul sounds spirit stage stanza suggest symbolic takes thee things thou thought Tree turns values vision voice whole wish Wordsworth writing written
Referanser til denne boken
Masters of Repetition: Poetry, Culture, and Work in Thomson, Wordsworth ... Lisa Malinowski Steinman Ingen forhåndsvisning tilgjengelig - 1998 |