Interpretations of Beowulf: A Critical AnthologyRobert Dennis Fulk Indiana University Press, 1991 - 282 sider Interpretations of Beowulf brings together over six decades of literary scholarship. Illustrating a variety of interpretative schools, the essays not only deal with most of the major issues of Beowulf criticism, including structure, style, genre, and theme, but also offer the sort of explanations of particular passages that are invaluable to a careful reading of a poem. This up-to-date collection of significant critical approaches fills a long-standing need for a companion volume for the study of the poem. Larger patterns in the history of Beowulf criticism are also traceable in the chronological order of the collection. The contributors are Theodore M. Andersson, Arthur Gilchrist Brodeur, Jane Chance, Laurence N. de Looze, Margaret E. Goldsmith, Stanley B. Greenfield, Joseph Harris, Edward B. Irving, Jr., John Leyerle, Francis P. Magoun, Jr., M. B. McNamee, S. J., Bertha S. Phillpotts, John C. Pope, Richard N. Ringler, Geoffrey R. Russom, T. A. Shippey, and J. R. R. Tolkien. |
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Side 47
... idea , they will recall it and use it . If the phrase is so good poetically and so useful metrically that it becomes in time the one best way to express a certain idea in a given length of verse , and as such is passed on from one ...
... idea , they will recall it and use it . If the phrase is so good poetically and so useful metrically that it becomes in time the one best way to express a certain idea in a given length of verse , and as such is passed on from one ...
Side 50
... idea ' after something or other has happened ' ; it must have often been used by singers to express this same idea in a complete D - verse . But sippan derest ( or furðum ) can be followed by any monosyllabic verb - form in the past ...
... idea ' after something or other has happened ' ; it must have often been used by singers to express this same idea in a complete D - verse . But sippan derest ( or furðum ) can be followed by any monosyllabic verb - form in the past ...
Side 212
... idea of line 7 while varying its form . By the same token , mycel ond mære would have served at 7a ; but Cyne- wulf is not one to use formulas " without ever thinking of employing other words to express the same idea . " 21 From first ...
... idea of line 7 while varying its form . By the same token , mycel ond mære would have served at 7a ; but Cyne- wulf is not one to use formulas " without ever thinking of employing other words to express the same idea . " 21 From first ...
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BERTHA S PHILLPOTTS Wyrd and Providence in AngloSaxon | 1 |
The Monsters and the Critics 1936 | 14 |
FRANCIS P MAGOUN JR The OralFormulaic Character | 45 |
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action actually alliteration Anglo-Saxon appears audience battle become Beowulf called character Christian concerned contrast course criticism Danes death described dragon early effect elements emotion English Studies epic episode evidence example expect express fact fate fight final follows formula Geats Germanic given gives Grendel hall hand hell Heorot hero heroic Hrothgar human Hygelac idea important interpretation ironic irony king language later less lines literary literature lives London Lord meaning mind monsters mother narrative nature Old English once oral original passage pattern perhaps phrase poem poet poet's poetic poetry possible present probably reference remains scene secg seems sense similar singers situation song speech story structure suggest sword theme things thought traditional true Unferth variation verse whole þæt