Light and Longing: Silva and Darío : Modernism and Religious HeterodoxyP. Lang, 1986 - 326 sider Modernism as a literary aesthetic flourished in Hispano-America and Spain for over fifty years (1882-1935). Its surface and inspiration seem alien to us. Yet it was an age remarkably like our own: a time of alarmingly rapid change and uncertainty about the future. Dissatisfaction with a Church that seemed to have turned her back upon science and modern learning was rife among writers, artists and intellectuals. In religion as in other areas of life, the Modernist was an eclectic drawn to those ideas which have been rejected by Judaeo-Christian orthodoxy: the heterodox and the occult. Silva's De sobremesa and the poetry of Dario document the religious pilgrimage of an epoch." |
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Side 4
... Modernists possessed strongly - held views of what literature should , or should not , be . ) Yet it must also be admitted that Modernists experienced a reasonable degree of unanimity in what they rejected . This , combined with a ...
... Modernists possessed strongly - held views of what literature should , or should not , be . ) Yet it must also be admitted that Modernists experienced a reasonable degree of unanimity in what they rejected . This , combined with a ...
Side 18
Silva and Darío : Modernism and Religious Heterodoxy Sonya A. Ingwersen. influential among the Modernists , evidences the seriousness of 19th - century incursions into Eastern religions and the occult . Ce livre est sorti tout entier d ...
Silva and Darío : Modernism and Religious Heterodoxy Sonya A. Ingwersen. influential among the Modernists , evidences the seriousness of 19th - century incursions into Eastern religions and the occult . Ce livre est sorti tout entier d ...
Side 27
... Modernists share certain emotional affinities with the great Spanish mystics whom they so profoundly admired . But the art of the Modernists was a secular art exercised in a secular age ; for them , eros became angst , not agape , the ...
... Modernists share certain emotional affinities with the great Spanish mystics whom they so profoundly admired . But the art of the Modernists was a secular art exercised in a secular age ; for them , eros became angst , not agape , the ...
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19th-century affirms Allan Kardec alma Alma mía amor ancient años artistic associated azul Blavatsky Book on Mediums Buenos canto century Christian Church cielo ciencia concept corazón Creuzer death día Dios divine dream El mundo El oro Eliphas Lévi espíritu evil expressed faith Fernández flesh gnostic había Helena hermaphrodite heterodox Historia de mis hombre human ibid idea imagery José Asunción Silva Kardec Leonardo light lines literary livre des esprits Madrid Mallorca manifestations manos María metempsychosis mirada mis libros misterio Modernists muerte mujer mundo Müntz mystical Neo-Platonic obra occult occultist ojos oro de Mallorca pagan Papus Paris pasa passage Peregrinaciones poem poesía poet poet's poeta poetry possessed prose Pythagorean quest Quirón reference religion religious revealed Rubén Darío Schuré seems sexual Silva sobremesa sombra soul spirit Spiritualist stanza strophe sueños suggests symbol tercet theme Theosophy tiempo tierra vida vision woman writes