The Original and Growth of the Human Fœtus; in which he is said to have departed, with great judgment, from the opinion then established, and to have delivered that which has been since confirmed and received.

Akenside was a young man, warm with every notion that by nature or accident had been connected with the sound of liberty, and, by an eccentricity which such dispositions do not easily avoid, a lover of contradiction, and no friend to any thing established. He adopted Shaftesbury's foolish assertion of the efficacy of ridicule for the discovery of truth. For this he was attacked by Warburton, and defended by Dyson: Warburton afterwards reprinted his remarks at the end of his dedication to the freethinkers.

The result of all the arguments, which have been produced in a long and eager discussion of this idle question, may easily be collected. If ridicule be applied to any position as the test of truth, it will then become a question whether such ridicule be just; and this can only be decided by the application of truth, as the test of ridicule. Two men, fearing, one a real and the other a fancied danger, will be for a while equally exposed to the inevitable consequences of cowardice, contemptuous censure, and ludicrous representation; and the true state of both cases must be known, before it can be decided whose terrour is rational, and whose is ridiculous; who is to be pitied, and who to be despised. Both are for a while equally exposed to laughter, but both are not therefore equally contemptible.

In the revisal of his poem, though he died before he had finished it, he omitted the lines which had given occasion to Warburton's objections.

He published, soon after his return from Leyden, (1745) his first collection of odes: and was impelled by his rage of patriotism to write a very acrimonious epistle to Pulteney, whom he stigmatizes, under the name of Curio, as the betrayer of his country.

Being now to live by his profession, he first commenced physician at Northampton, where Dr. Stonehouse then practised, with such reputation and success, that a stranger was not likely to gain ground upon him. Akenside tried the contest a while; and, having deafened the place with clamours for liberty, removed to Hampstead, where he resided more than two years, and then fixed himself in London, the proper place for a man of accomplishments like his.

At London he was known as a poet, but was still to make his way as a physician; and would perhaps have been reduced to great exigences, but that Mr. Dyson, with an ardour of friendship that has not many examples, allowed him three hundred pounds a year. Thus supported, he advanced gradually in medical reputation, but never attained any great extent of practice, or eminence of popularity. A physician in a great city seems to be the mere plaything of fortune; his degree of reputation is, for the most part, totally casual: they that employ him know not his excellence; they that reject him know not his deficience. By any acute observer, who had looked on the transactions of the medical world for half a century, a very curious book might be written on the Fortune of Physicians.

Akenside appears not to have been wanting to his own success: he placed himself in view by all the common methods; he became a fellow of the Royal Society; he obtained a degree at Cambridge; and was admitted into the college of physicians; he wrote little poetry, but published, from time to time, medical essays and observations; he became physician to St. Thomas's Hospital; he read the Gulstonian Lectures in Anatomy; but began to give, for the Crounian Lecture, a history of the revival of

learning, from which he soon desisted; and, in conversation, he very eagerly forced himself into notice by an ambitious ostentation of elegance and literature.

His Discourse on the Dysentery (1764) was considered as a very conspicuous specimen of Latinity, which entitled him to the same height of place among the scholars, as he possessed before among the wits; and he might perhaps have risen to a greater elevation of character, but that his studies were ended with his life, by a putrid fever, June 23, 1770, in the forty-ninth year of his age.

AKENSIDE is to be considered as a didactic and lyric poet. His great work is The Pleasures of Imagination; a performance which, published as it was, at the age of twenty-three, raised expectations that were not very amply satisfied. It has undoubtedly a just claim to very particular notice, as an example of great felicity of genius, and uncommon amplitude of acquisitions, of a young mind stored with images, and much exercised in combining and comparing them.

With the philosophical or religious tenets of the author I have nothing to do; my business is with his poetry. The subject is well chosen, as it includes all images that can strike or please, and thus comprises every species of poetical delight. The only difficulty is in the choice of examples and illustrations; and it is not easy in such exuberance of matter to find the middle point between penury and satiety. The parts seem artificially disposed, with sufficient coherence, so as that they cannot change their places without injury to the general design.

His images are displayed with such luxuriance of expression, that they are hidden, like Butler's Moon, by a veil of light; they are forms fantastically lost under superfluity of dress. Pars minima est ipsa puella sui. The words are multiplied till the sense is hardly perceived; attention deserts the mind, and settles in the ear. The reader wanders through the gay diffusion, sometimes amazed, and sometimes delighted, but, after many turnings in the flowery labyrinth, comes out as he went in. He remarked little, and laid hold on nothing.

To his versification justice requires that praise should not be denied. In the general fabrication of his lines he is perhaps superior to any other writer of blank verse; his flow is smooth, and his pauses are musical; but the concatenation of his verses is commonly too long continued, and the full close does not recur with sufficient frequency. The sense is carried on through a long intertexture of complicated clauses, and, as nothing is distinguished, nothing is remembered.

The exemption which blank verse affords from the necessity of closing the sense with the couplet betrays luxuriant and active minds into such self-indulgence, that they pile image upon image, ornament upon ornament, and are not easily persuaded to close the sense at all. Blank verse will therefore, I fear, be too often found in description exuberant, in argument loquacious, and in narration tiresome.

His diction is certainly poetical as it is not prosaic, and elegant as it is not vulgar. He is to be commended as having fewer artifices of disgust than most of his brethren of the blank song. He rarely either recalls old phrases, or twists his metre into harsh inversions. The sense however of his words is strained; when "he views the Ganges from Alpine heights;" that is, from mountains like the Alps. And the pedant surely intrudes (but when was blank verse without pedantry?) when he tells how "planets absolve the stated round of Time."

It is generally known to the readers of poetry that he intended to revise and augment

this work, but died before he had completed his design. The reformed work as he left it, and the additions which he had made, are very properly retained in the late collection. He seems to have somewhat contracted his diffusion; but I know not whether he has gained in closeness what he has lost in splendour. In the additional book, the Tale of Solon is too long.

One great defect of his poem is very properly censured by Mr. Walker, unless it may be said, in his defence, that what he has omitted was not properly in his plan. "His picture of man is grand and beautiful, but unfinished. The immortality of the soul, which is the natural consequence of the appetites and powers she is invested with, is scarcely once hinted throughout the poem. This deficiency is amply supplied by the masterly pencil of Dr. Young; who, like a good philosopher, has invincibly proved the immortality of man, from the grandeur of his conceptions, and the meanness and misery of his state; for this reason, a few passages are selected from the Night Thoughts, which, with those from Akenside, seem to form a complete view of the powers, situation, and end of man.” Exercises for Improvement in Elocution, p. 66.

His other poems are now to be considered; but a short consideration will dispatch them. It is not easy to guess why he addicted himself so diligently to lyric poetry, having neither the ease and airiness of the lighter, nor the vehemence and elevation of the grander ode. When he lays his ill-fated hand upon his harp, his former powers seem to desert him; he has no longer his luxuriance of expression, nor variety of images. His thoughts are cold, and his words inelegant. Yet such was his love of lyrics, that having written with great vigour and poignancy his Epistle to Curio, he transformed it afterwards into an ode disgraceful only to its author.

Of his odes nothing favourable can be said; the sentiments commonly want force, nature, or novelty; the diction is sometimes harsh and uncouth; the stanzas ill-constructed and unpleasant, and the rhymes dissonant, or unskilfully disposed, too distant from each other, or arranged with too little regard to established use, and therefore. perplexing to the ear, which in a short composition has not time to grow familiar with an innovation.

To examine such compositions singly cannot be required; they have doubtless brighter and darker parts: but, when they are once found to be generally dull, all further labour may be spared; for to what use can the work be criticised that will not be read?

ADVERTISEMENT

TO THE

FIRST EDITION, 1772.

THIS volume contains a complete collection of the poems of the late Dr. Akenside, either reprinted from the original editions, or faithfully published from copies which had been prepared by himself for publication.

That the principal poem should appear in so disadvantageous a state, may require some explanation. The first publication of it was at a very early part of the author's life. That it wanted revision and correction, he was sufficiently sensible; but so quick was the demand for several successive republications, that in any of the intervals to have completed the whole of his corrections was utterly impossible; and yet to have gone on from time to time making further improvements in every new edition, would (he thought) have had the appearance at least of abusing the favour of the public. He chose therefore to continue for some time reprinting it without alteration, and to forbear publishing any corrections or improvements until he should be able at once to give them to the public complete. And with this view he went on for several years to review and correct the poem at his leisure; till at length he found the task grow so much upon his hands, that, despairing of ever being able to execute it sufficiently to his own satisfaction, he abandoned the purpose of correcting, and resolved to write the poem over a-new upon a somewhat different and an enlarged plan. And in the execution of this design he had made a considerable progress. What reason there may be to regret that he did not live to execute the whole of it, will best appear from the perusal of the plan itself, as stated in the general argument, and of the parts which he had executed, and which are here published. For the person', to whom he intrusted the disposal of his papers, would have thought himself wanting as well to the service of the public, as to the fame of his friend, if he had not produced as much of the work as appeared to have been prepared for publication. In this light he considered the entire first and second books, of which a few copies had been printed for the use only of the author and certain friends: also a very considerable part of the third book, which had been transcribed in order to its being printed in the same manner: and to these is added the introduction to a subsequent book, which in the manuscript is called the fourth, and which appears to have been composed at the time when the author intended to comprise the whole in four books; but which, as he had afterwards determined to distribute the poem into more books, might perhaps more properly be called the last book. And this is all that is executed of the new work, which, although it appeared to the editor too valuable, even in its imperfect state, to be withholden from the public, yet (he conceives) takes in by much too small a part of the original poem to supply its place, and to supersede the re-publication of it. For which reason both the poems are inserted in this collection.

Of odes the author had designed to make up two books, consisting of twenty odes each, including the several odes which he had before published at different times.

• The right honourable Jeremiah Dyson; by whom this advertisement was written.

The Hymn to the Naiads is reprinted from the sixth volume of Dodsley's Miscellanies, with a few corrections and the addition of some notes. To the inscriptions taken from the same volume three new inscriptions are added; the last of which is the only instance wherein liberty has been taken of inserting any thing in this collection, which did not appear to have been intended by the author for publication; among whose papers no copy of this was found, but it is printed from a copy, which he had many years since given to the editor.

The author of these poems was born at Newcastle upon Tyne, on the 9th day of November, 1721. He was educated at the grammar school at Newcastle, and at the universities of Edinburgh and Leyden, at the latter of which he took his degree of doctor in physic. He was afterwards admitted by mandamus to the degree of doctor in physic in the university of Cambridge; elected a fellow of the royal college of physicians, and one of the physicians of St. Thomas's Hospital: and upon the establishment of the queen's household, appointed one of the physicians to her majesty. He died of a putrid fever, on the 23d day of June, 1770, and is buried in the parish church of St. James's Westminster.

2 In the present edition, a few pieces are added, which are known to be genuine, and which certainly are no discredit to their author. But these are all placed at the end of the volume,