Satires and EpistlesClarendon Press, 1872 - 164 sider |
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Alexander Pope Mark Pattison. S ENGLISH CLASSICS SELECT WORKS OF POPE SATIRES AND EPISTLES London.
Alexander Pope Mark Pattison. S ENGLISH CLASSICS SELECT WORKS OF POPE SATIRES AND EPISTLES London.
Side 1
Alexander Pope Mark Pattison. ENGLISH CLASSICS SELECT WORKS OF POPE SATIRES AND EPISTLES London MACMILLAN AND CO . ORD NDON DOM MINA INUS Clarendon Press Series.
Alexander Pope Mark Pattison. ENGLISH CLASSICS SELECT WORKS OF POPE SATIRES AND EPISTLES London MACMILLAN AND CO . ORD NDON DOM MINA INUS Clarendon Press Series.
Side 2
Alexander Pope Mark Pattison. London MACMILLAN AND CO . ORD NDON DOM MINA INUS TIO ILLVMEA PR PUBLISHERS TO THE UNIVERSITY OF Orford POPE SATIRES AND EPISTLES EDITED BY MARK PATTISON , B.
Alexander Pope Mark Pattison. London MACMILLAN AND CO . ORD NDON DOM MINA INUS TIO ILLVMEA PR PUBLISHERS TO THE UNIVERSITY OF Orford POPE SATIRES AND EPISTLES EDITED BY MARK PATTISON , B.
Side 4
Alexander Pope Mark Pattison. HARVAR UNIVERSITY LIBRARY 464254 In this edition , the Imitations of Horace with the Epistle to Arbuthnot , and the two Epilogues , are , to avoid confusion , numbered continuously with the collective title ...
Alexander Pope Mark Pattison. HARVAR UNIVERSITY LIBRARY 464254 In this edition , the Imitations of Horace with the Epistle to Arbuthnot , and the two Epilogues , are , to avoid confusion , numbered continuously with the collective title ...
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Alexander Pope Mark Pattison. INTRODUCTORY . THE pieces collected in this volume were published by Pope singly , at various times during the five years from 1733 to 1738 . When his Works were first collected , they were placed together ...
Alexander Pope Mark Pattison. INTRODUCTORY . THE pieces collected in this volume were published by Pope singly , at various times during the five years from 1733 to 1738 . When his Works were first collected , they were placed together ...
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Pope. Satires and Epistles, Ed. by M. Pattison Alexander Pope Ingen forhåndsvisning tilgjengelig - 2016 |
Vanlige uttrykk og setninger
Addison allusion Arbuthnot authors Bavius Ben Jonson Bishop Blackmore Boileau Bolingbroke Budgel Carruthers character Church Cibber court died Dryden Duke Dunciad ears Edward Wortley Montagu England English Epil Essay ev'n ev'ry eyes fame father fools genius George George Bubb Dodington George II grace heart heav'n honour Imitation of Horace Johnson Juvenal king knave Lady laugh learned letters libeller live Lord Bolingbroke Lord Fanny Lord Hervey lov'd Matthew Tindal moral muse ne'er never noble numbers o'er Parnassian party Pindaric pleas'd poems poet poet's poetical poetry poor Pope Pope's satire pow'r praise Prince Prol Queen quincunx rhyme Satires and Epistles satirist says Sir Robert Sir Robert Walpole sneer song soul Spence Swift taste thou thought thro Tory truth Twickenham verse vice virtue Walpole Warburton's Warton Whig wife write
Populære avsnitt
Side 30 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer ; Willing to wound, and yet afraid to strike, Just hint a fault, and hesitate dislike...
Side 23 - tis past a doubt, All Bedlam, or Parnassus, is let out: Fire in each eye, and papers in each hand, They rave, recite, and madden round the land. What walls can guard me, or what shades can hide? They pierce my thickets, through my grot they glide, By land, by water, they renew the charge, They stop the chariot, and they board the barge.
Side 30 - Who but must laugh, if such a man there be? Who would not weep, if Atticus were he ? What though my name stood rubric on the walls Or plaster'd posts, with claps, in capitals ? Or smoking forth, a hundred hawkers...
Side 33 - Half froth, half venom, spits himself abroad, In puns, or politics, or tales, or lies, Or spite, or smut, or rhymes, or blasphemies. His wit all see-saw, between that and this, « Now high, now low, now master .up, now miss, And he himself one vile Antithesis.
Side 33 - That Fop, whose pride affects a patron's name, Yet absent, wounds an author's honest fame: Who can your merit selfishly approve, And show the sense of it without the love...
Side 145 - I remember the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been, "Would he ' had blotted a thousand," which they thought a malevolent speech.
Side 27 - Say, for my comfort, languishing in bed, 'Just so immortal Maro held his head'; And, when I die, be sure you let me know Great Homer died three thousand years ago. Why did I write? what sin to me unknown Dipp'd me in ink, my parents', or my own?
Side 33 - Whose buzz the witty and the fair annoys, Yet wit ne'er tastes, and beauty ne'er enjoys: So well-bred spaniels civilly delight In mumbling of the game they dare not bite. Eternal smiles his emptiness betray, As shallow streams run dimpling all the way.
Side 119 - London, much inhabited by writers of small histories, dictionaries, and temporary poems; whence any mean production is called Grub-street" — , " lexicographer, a writer of dictionaries, a harmless drudge.
Side 144 - whispers through the trees": If crystal streams "with pleasing murmurs creep," The reader's threaten'd (not in vain) with "sleep": Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along.