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IONA TAURINA

During this speech she has been putting on boots and spurs, and a hunting cap, buckishly cocked

on one side, and tucking up her hair, she leaps nimbly on his back.

Hoa! hoa! tallyho! tallyho! ho! ho!

Come, let us hunt these ugly badgers down, These stinking foxes, these devouring otters, These hares, these wolves, these anything but

men.

Hey, for a whipper-in! my loyal pigs,
Now let your noses be as keen as beagles,
Your steps as swift as greyhounds, and your cries
More dulcet and symphonious than the bells
Of village towers, on sunshine holiday;

Wake all the dewy woods with jangling music. Give them no law (are they not beasts of blood?)

But such as they gave you. Tallyho! ho! Through forest, furze, and bog, and den, and

desert,

Pursue the ugly beasts! tallyho! ho!

FULL CHORUS OF IONA AND THE SWINE

Tallyho! tallyho!

Through rain, hail, and snow,

Through brake, gorse, and briar,
Through fen, flood, and mire,
We go! we go!

Tallyho! tallyho!

Through pond, ditch, and slough.

Wind them, and find them,

Like the Devil behind them,

Tallyho! tallyho!

[Exeunt, in full cry; IONA driving on the SWINE with the empty GREEN BAG.

O

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N the brief journal I kept in those days, I find recorded, in August, 1820, Shelley "begins 'Swellfoot the Tyrant,' suggested by the pigs at the fair of San Giuliano." This was the period of Queen Caroline's landing in England, and the struggles made by George IV. to get rid of her claims; which failing, Lord Castlereagh placed the "Green Bag" on the table of the House of Commons, demanding in the king's name that an inquiry should be instituted into his wife's conduct. These circumstances were the theme of all conversation among the English. We were then at the Baths of San Giuliano. A friend came to visit

us on the day when a fair was held in the square beneath our windows: Shelley read to us his "Ode to Liberty;" and was riotously accompanied by the grunting of a quantity of pigs brought for sale to the fair. He compared it to the "chorus of frogs" in the satiric drama of Aristophanes; and, it being an hour of merriment, and one ludicrous association suggesting another, he imagined a political-satirical drama on the circumstances of the day, to which the pigs would serve as chorus - and "Swellfoot" was begun. When finished it was transmitted to England, printed, and published anonymously; but stifled at the very dawn of its existence by the Society for the Suppression of Vice, who threatened to prosecute it, if not immediately withdrawn. The friend who had taken the trouble of bringing it out, of course, did not think it worth the annoyance and expense of a contest, and it was laid aside.

Hesitation of whether it would do honour to Shelley prevented my publishing it at first. But I cannot bring myself to keep back anything he ever wrote; for each word is fraught with the peculiar views and sentiments which

he believed to be beneficial to the human race, and the bright light of poetry irradiates every thought. The world has a right to the entire compositions of such a man; for it does not live and thrive by the outworn lesson of the dullard or the hypocrite, but by the original free thoughts of men of genius, who aspire to pluck bright truth

"from the pale-faced moon ;

Or dive into the bottom of the deep

Where fathom-line could never touch the ground,
And pluck up drowned "

truth. Even those who may dissent from his opinions will consider that he was a man of genius, and that the world will take more interest in his slightest word than from the waters of Lethe which are so eagerly prescribed as medicinal for all its wrongs and woes. This drama, however, must not be judged for more than was meant. It is a mere plaything of the imagination; which even may not excite smiles among many, who will not see wit in those combinations of thought which were full of the ridiculous to the author. But, like everything he wrote,

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