Language, above all teaching, or, if taught, Only by gratitude and glowing thought, Elegant as simplicity, and warm As ecstacy, unmanacled by form; Not prompted, as in our degenʼrate days, By low ambition and the thirst of praise; Was natural as is the flowing stream, And yet magnificent-A God the theme! That theme on Earth exhausted, though above 'Tis found as everlasting as his love,
Man lavish'd all his thoughts on human things-→→→ The feats of heroes, and the wrath of kings; But still, while Virtue kindled his delight, The song was moral, and so far was right. 'Twas thus, till Luxury seduc'd the mind To joys less innocent, as less refin'd; Then Genius dane'd a bacchanal; he crown'd The brimming goblet, seiz'd the thyrsus, bound His brows with ivy, rush'd into the field Of wild imagination, and there reel'd,
The victim of his own lascivious fires,
And dizzy with delight, profan'd the sacred wires. Anacreon, Horace play'd in Greece and Rome This bedlam part; and others nearer home. When Cromwell fought for pow'r, and while he reign'd
The proud protector of the pow'r he gain'd, Religion, harsh, intolerant, austere,
Parent of manners like herself severe,
Drew a rough copy of the Christian face,
Without the smile, the sweetness, or the grace;
The dark and sullen humour of the time Judg'd ev'ry effort of the muse a crime; Verse, in the finest mould of fancy cast, Was lumber in an age so void of taste:
But when the Second Charles assum'd the sway, And arts reviv'd beneath a softer day, Then, like a bow long forc'd into a curve, The mind, releas'd from too constrain❜d a nerve, Flew to its first position with a spring,
That made the vaulted roofs of Pleasure ring. His court, the dissolute and hateful school Of Wantonness, where vice was taught by rule, Swarm'd with a scribbling herd, as deep inlaid With brutal lust as ever Circe made. From these a long succession, in the rage Of rank obscenity, debauch'd their age; Nor ceas'd, till, ever anxious to redress Th' abuses of her sacred charge, the press, The muse instructed a well-nurtur'd train Of abler votaries to cleanse the stain, And claim the palm for purity of song, That Lewdness had usurp'd and worn so long. Then decent Pleasantry and sterling Sense, That neither gave nor would endure offence, Whipp'd out of sight, with satire just and keen, The puppy pack, that had defil'd the scene. In front of these came Addison. In him Humour in holiday and sightly trim, Sublimity and Attick taste, combin❜d, To polish, furnish, and delight the mind. Then Pope, as harmony itself exact, In verse well disciplin'd, complete, compact,
Gave virtue and morality a grace,
That, quite eclipsing Pleasure's painted face, Levied a tax of wonder and applause,
F'en on the fools that trampled on their laws. But he (his musical finesse was such, So nice his ear, so delicate his touch) Made poetry a mere mechanick art ; And ev'ry warbler has his tune by heart. Nature imparting her satirick gift, Her serious mirth, to Arbuthnot and Swift, With droll sobriety they rais'd a smile At Folly's cast, themselves unmov'd the while. That constellation set, the world in vain
Must hope to look upon their like again.
A. Are we then left-B. Not wholly in the dark; Wit now and then, struck smartly, shows a spark, Sufficient to redeem the modern race From total night and absolute disgrace. While servile trick and imitative knack Confine the million in the beaten track, Perhaps some courser, who disdains the road, Snuffs up the wind, and flings himself abroad. Contemporaries all surpass'd, see one; Short his career indeed, but ably run; Churchill, himself unconscious of his pow'rs, In penury consum'd his idle hours;
And, like a scatter'd seed at random sown, Was left to spring by vigour of his own. Lifted at length, by dignity of thought And dint of genius, to an affluent lot, He laid his head in Luxury's soft lap, And took, too often, there his easy nap.
If brighter beams than all he threw not forth, 'Twas negligence in him, not want of worth. Surly, and slovenly, and bold, and coarse, Too proud for art, and trusting in mere force, Spendthrift alike of money and of wit, Always at speed, and never drawing bit, He struck the lyre in such a careless mood, And so disdain'd the rules he understood, The laurel seem'd to wait on his command, He snatch'd it rudely from the Muses' hand. Nature, exerting an unwearied pow'r, Forms, opens, and gives scent to ev'ry flow'r; Spreads the fresh verdure of the field, and leads The dancing Naiads through the dewy meads: She fills profuse ten thousand little throats
With musick, modulating all their notes;
And charms the woodland scenes, and wilds unknown,
With artless airs and concerts of her own:
But seldom (as if fearful of expense) Vouchsafes to man a poet's just pretence- Fervency, freedom, fluency of thought, Harmony, strength, words exquisitely sought; Fancy, that, from the bow that spans the sky, Brings colours, dipp'd in Heav'n, that never die; A soul exalted above Earth, a mind Skill'd in the characters that form mankind; And, as the Sun in rising beauty drest, Looks to the westward from the dappled east, And marks, whatever clouds may interpose, Ere yet his race begins, its glorious close;
An eye like his to catch the distant goal; Or, ere the wheels of verse begin to roll, Like his to shed illuminating rays
On ev'ry scene and subject it surveys: Thus grac❜d, the man asserts a poet's name, And the world cheerfully admits the claim. Pity Religion has so seldom found
A skilful guide into poetick ground!
The flow'rs would spring where'er she deigu'd to stray,
And ev'ry muse attend her in her way.
Virtue indeed meets many a rhyming friend, And many a compliment politely penn'd; But unattir'd in that becoming vest Religion weaves for her, and half undrest, Stands in the desert, shiv'ring and forlorn, A wintry figure, like a wither'd thorn. The shelves are full, all other themes are sped; Hackney'd and worn to the last flimsy thread, Satire has long since done his best; and curst And loathsome Ribaldry has done his worst; Fancy has sported all her pow'rs away In tales, in trifles, and in children's play; And 'tis the sad complaint, and almost true, Whate'er we write, we bring forth nothing new. 'Twere new indeed to see a bard all fire, Touch'd with a coal from Heav'n, assume the lyre And tell the world, still kindling as he sung, With more than mortal musick on his tongue, That He, who died below, and reigns above, Inspires the song, and that his name is Love.
For, after all, if merely to beguile, By flowing numbers and a flow'ry style,
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