Select British Classics, Volum 21J. Conrad, 1803 |
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Side 80
... object ; but this could never happen , if it depended upon any known rule of propor- tion , upon the shape or disposition of the features , or the colour of the skin : he tells you , that it is something which he cannot fully express ...
... object ; but this could never happen , if it depended upon any known rule of propor- tion , upon the shape or disposition of the features , or the colour of the skin : he tells you , that it is something which he cannot fully express ...
Side 82
... object of corporeal appetite . As it ex- cites a purer passion , it also more forcibly engages to fidelity : every man finds himself more powerfully re- strained from giving pain to goodness than to beauty ; and every look of a ...
... object of corporeal appetite . As it ex- cites a purer passion , it also more forcibly engages to fidelity : every man finds himself more powerfully re- strained from giving pain to goodness than to beauty ; and every look of a ...
Side 196
... object of uni- versal admiration ; every heart throbbed at her approach , every tongue was silent when she spoke ; at the glance of her eye every cheek was covered with blushes of diffidence or desire , and at her command every foot be ...
... object of uni- versal admiration ; every heart throbbed at her approach , every tongue was silent when she spoke ; at the glance of her eye every cheek was covered with blushes of diffidence or desire , and at her command every foot be ...
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LETTERS from six characters | 71 |
The folly of human wishes and schemes to cor rect the moral government of the world history of Nourraddin and Amana | 72 |
The history of Nourraddin and Amana concluded | 73 |
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acquainted ADVENTURER Alcinous Almerine altar Amana Amphinomus Anticlea appeared Aristotle beauty behold Bozaldab breast Caliban caliph Catiline Catullus character considered countenance death desire despair despised Diphilus disappointed discovered distress dreadful DRYDEN effect Elfarina endeavour epic poetry equal Euripides evil excellence eyes fable father favour felicity fortune genius gratify happiness heart hero Homer honour hope hour human Iliad images imagination impatience kind labour lady learned Longinus look mankind manner Mantua marriage Menander ment mind misery moral Nardic nature ness never Nouraddin Nourassin object Odyssey opinion Osmin palace passion perceived perpetually person pleasure poem poet present prince produced Prospero Quintilian racter reason SATURDAY scarcely sentiments Shakspeare Shelimah shew smile Soliman soul spirit suffered Sycorax tears tender thee Theocritus thou thought tion truth TUESDAY ulmo Ulysses Virgil virtue wish wretched writers Yamodin δε