CHAP. promontory to the golden gate, the extreme length of XVII. Constantinople was about three Roman miles; the

circumference measured between ten and eleven, and the surface might be computed as equal to about two thousand English acres. It is impossible to justify the vain and credulous exaggerations of modern travellers, who have sometimes stretched the limits of Constantinople over the adjacent villages of the Earopean, and even of the Asiatic coast. But the suburbs of Pera and Galata, though situate beyond the harbour, may deserve to be considered as a part of the city; and this addition may perhaps authorise the measure of a Byzantine historian, who assigns sixteen Greek (about fourteen Roman) miles for the circumference of his native city. Such an extent may seem not unworthy of an Imperial residence. Yet Constantinople must yield to Babylon and Thebes3, to ancient Rome, to London, and even to Paris.

it was thrown down by an earthquake, and rebuilt in three months by the diligence of the præfect Cyrus. The suburb of the Blachernæ was first taken into the city in the reign of Heraclius. Ducange, Const. l. i. c. 10, 11.

33 The measurement is expressed in the Notitia by 14,075 feet. It is reasonable to suppose that these were Greek feet; the proportion of which has been ingeniously determined by M. d'Anville. He compares the 180 feet with the 78 Hashemite cubits, which in different writers are assigned for the height of St. Sophia. Each of these cubits was equal to 27 French inches.

34 The accurate Thevenot (1. i. c. 15.) walked in one hour and three quarters round two of the sides of the triangle, from the Kiosk of the Seraglio to the seven towers. D'Anville examines with care, and receives with confidence, this decisive testimony, which gives a circumference of ten or twelve miles. The extravagant computation of Tournefort (Lettre XI.) of thirty-four or thirty miles, without including Scutari, is a strange depar ture from his usual character.

35 The sycæ, or fig-trees, formed the thirteenth region, and were very much embellished by Justinian. It has since borne the names of Pera and Galata. The etymology of the former is obvious; that of the latter is unknown. See Ducange Const. 1. i. c. 22. and Gyllius de Byzant. I. iv. c. 10

36 One hundred and eleven stadia, which may be translated into mo dern Greek miles each of seven stadia, or 660, sometimes only 600 French toises. See d'Anville Mesures Itineraires, p. 53.

37 When the ancient texts, which describe the size of Babylon and Thebes, are settled, the exaggerations reduced, and the measures ascertained, we find that those famous cities filled the great but not incredible circumference of about twenty-five or thirty miles. Compare d'Anville Mem. de l'Academie, tom. xxviii. p. 235, with his Description de l'Egypte, p. 201, 202.

38 If we divide Constantinople and Paris into equal squares of 50 French toises, the former contains 850, and the latter 1160 of those divisions.

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Progress

The master of the Roman world, who aspired to CHAP. erect an eternal monument of the glories of his reign, could employ in the prosecution of that great work the wealth, the labour, and all that yet remained of the of the genius of obedient millions. Some estimate may be work. formed of the expense bestowed with Imperial libera. lity on the foundation of Constantinople, by the allowance of about two millions five hundred thousand pounds for the construction of the walls, the porticoes, and the aqueducts39. The forests that overshadowed the shores of the Euxine, and the celebrated quarries of white marble in the little island of Proconnesus, supplied an inexhaustible stock of materials, ready to be conveyed, by the convenience of a short water-carriage, to the harbour of Byzantium. A multitude of labourers and artificers urged the conclusion of the work with incessant toil: but the impatience of Constantine soon discovered, that, in the decline of the arts, the skill as well as numbers of his architects bore a very unequal proportion to the greatness of his designs. The magistrates of the most distant provinces were therefore directed to institute schools, to appoint professors, and by the hopes of rewards and privileges, to engage in the study and practice of architecture a sufficient number of ingenious youths, who had received a liberal education. The buildings of the new city were executed by such artificers as the reign of Constantine could afford; but they were decorated by the hands of the most celebrated masters of the age of Pericles and Alexander. To revive the genius of Phidias and Lysippus, surpassed indeed the power of a Roman emperor; but the immortal produc

39 Six hundred centenaries, or sixty thousand pounds weight of gold. This sum is taken from Codinus Antiquit. Const. p. 11; but unless that contemptible author had derived his information from some purer sources, he would probably have been unacquainted with so obsolete a mode of reckoning.

40 For the forests of the Black Sea, consult Tournefort, Lettre XVI.: for the marble quarries of Proconnesus, see Strabo, 1. xiii. p. 588. The latter had already furnished the materials of the stately buildings of Cyzicus.

41 See the Codex Theodos. 1. xiii. tit. iv. leg. 1. This law is dated in the year 334, and was addressed to the præfect of Italy, whose jurisdiction extended over Africa. The commentary of Godefroy on the whole title well deserves to be consulted.

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CHAP. tions which they had bequeathed to posterity were exposed without defence to the rapacious vanity of a despot. By his commands the cities of Greece and Asja were despoiled of their most valuable ornaments", The trophies of memorable wars, the objects of religious veneration, the most finished statues of the gods and heroes, of the sages and poets, of ancient times, contributed to the splendid triumph of Constantinople; and gave occasion to the remark of the historian Ce drenus, who observes, with some enthusiasm, that nothing seemed wanting except the souls of the illustrious men whom those admirable monuments were intended to represent. But it is not in the city of Constantine, nor in the declining period of an empire, when the human mind was depressed by civil and religious slavery, that we should seek for the souls of Homer and of Demosthenes.

Edifices.

During the siege of Byzantium, the conqueror had pitched his tent on the commanding eminence of the second hill. To perpetuate the memory of his success, he chose the same advantageous position for the principal Forum; which appears to have been of a circucular, or rather elliptical form. The two opposite entrances formed triumphal arches; the porticoes, which inclosed it on every side, were filled with statues; and the centre of the Forum was occupied by a lofty column, of which a mutilated fragment is now degraded by the appellation of the burnt pillar. This column was erected on a pedestal of white marble twenty feet high; and was composed of ten pieces of porphyry, each of

42 Constantinopolis dedicatur pæne omnium urbium nuditate. Hieronym. Chron. p. 181. See Codinus, p. 89. The author of the Antiquitat. Const. 1. iii. (apud Banduri Imp. Orient. tom. i. p. 41.) enumerates Rome, Sicily, Antioch, Athens, and a long list of other cities. The provinces of Greece and Asia Minor may be supposed to have yielded the richest booty.

43 Hist. Compend. p. 369. He describes the statue, or rather bust of Homer with a degree of taste which plainly indicates that Cedrenus copied the style of a more fortunate age.

44 Zosim. 1. ii. p. 106. Chron. Alexandrin. vel Paschal, p. 284. Ducange Const. 1. i. c. 24. Even the last of those writers seems to confound the Forum of Constantine with the Augusteum, or court of the palace. I am not satisfied whether I have properly distinguished what belongs to the one and the other.

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which measured about ten feet in height, and about CHAP. thirty-three in circumference. On the summit of the pillar, above one hundred and twenty feet from the ground, stood the colossal statue of Apollo. It was of bronze, had been transported either from Athens or from a town of Phrygia, and was supposed to be the work of Phidias. The artist had represented the god of day, or, as it was afterwards interpreted, the emperor Constantine himself, with a sceptre in his right hand, the globe of the world in his left, and a crown of rays glittering on his head. The Circus or Hippodrome, was a stately building about four hundred paces in length, and one hundred in breadth". The space between the two met or goals was filled with statues and obelisks; and we may still remark a very singular fragment of antiquity; the bodies of three serpents, twisted into one pillar of brass. Their triple heads had once supported the golden tripod which, after the defeat of Xerxes, was consecrated in the temple of Delphi by the victorious Greeks". The beauty of the Hippodrome has been long since defaced by the rude hands of the Turkish conquerors; but, under the similar appellation of Atmeidan, it still

45 The most tolerable account of this column is given by Pocock. De. scription of the East, vol. ii. part. ii. p. 131. But it is still in many instances perplexed and unsatisfactory.

46 Ducange Const. I. i. c. 24. p. 76. and his notes ad Alexiad. p. 382. The statue of Constantine or Apollo was thrown down under the reign of Alexis Comnenus.

47 Tournefourt (Lettre XII.) computes the Atmedian at four hundred paces. If he means geometrical paces of five feet each, it was three bundred toises in length, about forty more than the great Circus of Rome. See d'Anville Mesures Itineraires, p. 73.

48 The guardians of the most holy relics would rejoice if they were able to produce such a chain of evidence as may be alleged on this occasion. See Banduri ad Antiquitat. Const. p. 668. Gyllius de Byzant. 1. ii. c. 13. 1. The original consecration of the tripod and pillar in the temple of Delphi may be proved from Herodotus and Pausanias. 2. The Pagan Zosimus agrees with the three ecclesiastical historians, Eusebius, Socrates, and Sozomen, that the sacred ornaments of the temple of Delphi were removed to Constantinople by the order of Constantine; and among these the serpentine pillar of the Hippodrome is particularly mentioned. 3. All the European travellers who have visited Constantinople, from Buondelmonte to Pocock, describe it in the same place, and almost in the same manner; the differences between them are occasioned only by the injuries which it has sustained from the Turks. Mahomet the Second broke the under-jaw of one of the serpents with a stroke of his battle-axe. Thevenot, 1. i. c. 17.

VOL. II.

Hh

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CHAP. serves as a place of exercise for their horses. From the throne, whence the emperor viewed the Circensian games, a winding staircase descended to the palace; a magnificent edifice, which scarcely yielded to the residence of Rome itself, and which, together with the dependent courts, gardens, and porticos, covered a considerable extent of ground upon the banks of the Propontis between the Hippodrome and the church of St. Sophia. We might likewise celebrate the baths, which still retained the name of Zeuxippus, after they had been enriched by the munificence of Constantine, with lofty columns, various marbles, and above threescore statues of bronze"1. But we should deviate from the design of this history, if we attempted minutely to describe the different buildings or quarters of the city. It may be sufficient to observe, that whatever could adorn the dignity of a great capital, or contribute to the benefit or pleasure of its numerous inhabitants, was contained within the walls of Constantinople. A particular description, composed about a century after its foundation, enumerates a capitol or school of learning, a circus, two theatres, eight public, and one hundred and fifty-three private, baths, fifty-two porticos, five granaries, eight aqueducts or reservoirs of water, four spacious halls for the meetings of the senate or courts of justice, fourteen churches, fourteen palaces, and four thousand three hundred and eighty-eight houses, which,

49 The Latin name Cochlea was adopted by the Greeks, and very fre. quently occurs in the Byzantine history. Ducange Const. 1. ii. c. 1. p. 104. 50 There are three topographical points which indicate the situation of the palace. 1. The stair-case, which connected it with the Hippodrome or Atmeidan. 2. A small artificial port on the Propontis, from whence there was an easy ascent, by a flight of marble steps, to the gardens of the pa lace. 3. The Augusteum was a spacious court, one side of which was occupied by the front of the palace, and another by the church of St. Sophia, 51 Zeuxippus was an epithet of Jupiter, and the baths were a part of old Byzantium. The difficulty of assigning their true situation has not been felt by Ducange. History seems to connect them with St. Sophia and the palace; but the original plan, inserted in Banduri, places them on the other side of the city near the harbour. For their beauties, see Chron. Paschal. p. 285, and Gyllius de Byzant, I. ii. c. 7. Christodorus (see Antiquitat. Const. 1. vii.) composed inscriptions in verse for each of the statues. He was a Theban poet in genius as well as in birth:

Bæotum in crasso jurares aere natum.