The Jew in the Victorian Novel: Some Relationships Between Prejudice and Art |
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Side 67
Fagin's theatrical expertise is equalled by that of Iago in Othello . In asides such as the following , Iago is very much the director or stage manager , giving other characters their cues : “ He takes her by the palm .
Fagin's theatrical expertise is equalled by that of Iago in Othello . In asides such as the following , Iago is very much the director or stage manager , giving other characters their cues : “ He takes her by the palm .
Side 68
Similarly , while Iago is inciting Othello to jealousy , he controls the present action as well as the course events will take . Shortly before he dies , Othello asks Cassio to demand of lago , “ that demidevil / Why he hath thus ...
Similarly , while Iago is inciting Othello to jealousy , he controls the present action as well as the course events will take . Shortly before he dies , Othello asks Cassio to demand of lago , “ that demidevil / Why he hath thus ...
Side 235
See also Dickens , Fagin Othello , 67-68 Our Mutual Friend , 57 ; discussion of , 79-88 ; Fledgeby , 101 , 103. See also Dickens , Riah Parkes , James , 210 n.14 , 213 n.19 Phineas Finn , discussion of , 106116 ; Lady ...
See also Dickens , Fagin Othello , 67-68 Our Mutual Friend , 57 ; discussion of , 79-88 ; Fledgeby , 101 , 103. See also Dickens , Riah Parkes , James , 210 n.14 , 213 n.19 Phineas Finn , discussion of , 106116 ; Lady ...
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acceptable achieve actions actually appearance artistic aspects associated attitude aware beauty becomes cause certainly chap characterization Christian Cohens complex conception concerned Consequently considered contrast create criminal criticism Deronda described desire Dickens Dickens's effect elements Emilius encourages England English evident evil example exists experience eyes face fact Fagin father feels foreign function further George Eliot hand human individual Isaac Jewess Jewish characters Lady literary live Lizzie London look Lopez Madame Goesler manner means Melmotte Mirah moral Mordecai murder nature negative never novel occurs one's passage personality physical plot portrait position prejudice prejudiced present qualities race reader Rebecca references regard religion religious result Riah role Scott seems serves similar social society stereotypes story structure suggests sympathy techniques tion traits Trollope Trollope's turn types understanding values Victorian wants woman
Referanser til denne boken
Crime, Gender, and Consumer Culture in Nineteenth-century England Tammy C. Whitlock Ingen forhåndsvisning tilgjengelig - 2005 |
Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840 Philip Cox,Cox Begrenset visning - 2000 |