The Jew in the Victorian Novel: Some Relationships Between Prejudice and ArtAMS Press, 1980 - 238 sider |
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Side 171
... Mirah's right to be " identified ” as a beautiful woman . Consider this description of Mirah as she sings for Deronda : imagine her with her dark hair brushed from her temples , but yet showing certain tiny rings there which had ...
... Mirah's right to be " identified ” as a beautiful woman . Consider this description of Mirah as she sings for Deronda : imagine her with her dark hair brushed from her temples , but yet showing certain tiny rings there which had ...
Side 172
... Mirah is a typi- cal daughter of Israel , simple and childlike , unambitious and unpretending , undervaluing her own talents , warm in affec- tions , and above all profoundly attached to her family and race . 15 The literary Jewess that ...
... Mirah is a typi- cal daughter of Israel , simple and childlike , unambitious and unpretending , undervaluing her own talents , warm in affec- tions , and above all profoundly attached to her family and race . 15 The literary Jewess that ...
Side 173
... Mirah actually is a Christian , as occurs with Berenice , nor does she say that Mirah has remained good despite her experience as a Jewess , as Scott implies with Re- becca . Consequently , she indicates that experience as a Jewess is ...
... Mirah actually is a Christian , as occurs with Berenice , nor does she say that Mirah has remained good despite her experience as a Jewess , as Scott implies with Re- becca . Consequently , she indicates that experience as a Jewess is ...
Vanlige uttrykk og setninger
achieve actions Anthony Trollope anti-Semitism Anton appearance artistic attitude aware Balatka beauty becomes Benjamin Benjamin Disraeli Brehgert chap characterization Charles Dickens Christian Cohenlupe Cohens complex conflict connotations contrast create criminal world criticism Daniel Deronda devil dice Dickens Dickens's Disraeli Emilius England English evil eyes fact Fagin feels Fledgeby foreign function George Eliot Ibid Isaac Ivanhoe Jewess Jewish characters Jewish stereotypes Judaism Klesmer Lady Lady Glencora Léon Poliakov literary Lizzie London Lopez Madame Goesler manner Maria Edgeworth medieval Melmotte Melmotte's Mirah moral Mordecai murder nature negative Nina Nina Balatka Oliver Oliver Twist one's personality Phineas Phineas Finn Phineas Redux physical plot Poliakov portrait portrayal position prejudice and art prejudiced qualities race racial reader realistic Rebecca religion religious Riah Riah's role Rothschild scapegoat Scott Sidonia Sikes social society sympathy techniques tion Tragic Comedians traits Trollope's types Victorian novel villain Wharton
Referanser til denne boken
Crime, Gender, and Consumer Culture in Nineteenth-century England Tammy C. Whitlock Ingen forhåndsvisning tilgjengelig - 2005 |
Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840 Philip Cox Begrenset visning - 2000 |