The Jew in the Victorian Novel: Some Relationships Between Prejudice and ArtAMS Press, 1980 - 238 sider |
Inni boken
Resultat 1-3 av 23
Side
... conception . Alternatively , if the mecha- nisms of prejudice and the artistic methods are not compati- ble , one has a key to understanding why a character may fail either in his moral role or as an artistic creation . To clarify the ...
... conception . Alternatively , if the mecha- nisms of prejudice and the artistic methods are not compati- ble , one has a key to understanding why a character may fail either in his moral role or as an artistic creation . To clarify the ...
Side 66
... conception of a Jew , he is also formed by Disraeli's fictional conception of a mentor ; as both mentor and Jew the roles are at times indistinguishable - he is easily identified as a Disraelian character . ― Fagin similarly embodies ...
... conception of a Jew , he is also formed by Disraeli's fictional conception of a mentor ; as both mentor and Jew the roles are at times indistinguishable - he is easily identified as a Disraelian character . ― Fagin similarly embodies ...
Side 167
... conception into a state of impas- sioned conviction . . . . ( chap . 42 , p . 598 ) Mordecai , of course , does not ... conceptions of the Jew , the prophet , and the consumptive , he could not possibly be characterized simply by the ...
... conception into a state of impas- sioned conviction . . . . ( chap . 42 , p . 598 ) Mordecai , of course , does not ... conceptions of the Jew , the prophet , and the consumptive , he could not possibly be characterized simply by the ...
Vanlige uttrykk og setninger
achieve actions actually appearance artistic aspects associated attitude aware beauty becomes Books cause certainly chap characterization Christian Cohens complex concerned Consequently considered contrast create criminal criticism Deronda described Dickens Dickens's Disraeli effect elements Emilius encourages England English evident evil example experience eyes face fact Fagin father feels foreign function further George Eliot hand History human individual Isaac Jewess Jewish characters Lady literature live Lizzie London look Lopez Madame Goesler manner means Melmotte Mirah moral Mordecai murder nature negative never novel occurs one's passage personality physical plot portrait position prejudice prejudiced present qualities race reader Rebecca references regard religion religious result Riah role Scott seems serves similar social society stereotypes story structure suggests sympathy techniques tion traits Trollope Trollope's turn types understanding values Victorian woman York
Referanser til denne boken
Crime, Gender, and Consumer Culture in Nineteenth-century England Tammy C. Whitlock Ingen forhåndsvisning tilgjengelig - 2005 |
Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840 Philip Cox Begrenset visning - 2000 |