The Jew in the Victorian Novel: Some Relationships Between Prejudice and ArtAMS Press, 1980 - 238 sider |
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Side 82
... father . Riah's clothes symbolically relate his protective role to being Jewish , as in his meeting with Lizzie after she has had a distressing conversation with her brother , Charley , and Head- stone : A figure passed by , and passed ...
... father . Riah's clothes symbolically relate his protective role to being Jewish , as in his meeting with Lizzie after she has had a distressing conversation with her brother , Charley , and Head- stone : A figure passed by , and passed ...
Side 174
... father Lapidoth , appears only briefly in the story , his presence indicates the scrupulous honesty with which George Eliot composed her gallery of Jewish characters . It is indeed a more difficult task to differ- entiate between those ...
... father Lapidoth , appears only briefly in the story , his presence indicates the scrupulous honesty with which George Eliot composed her gallery of Jewish characters . It is indeed a more difficult task to differ- entiate between those ...
Side 200
... father , even though he has caused them much grief and cannot be trusted : What duty is made of a single difficult ... father .... ( chap . 67 , p . 852 ) Mirah does not run away from her father as Jessica does , nor be- tray her father ...
... father , even though he has caused them much grief and cannot be trusted : What duty is made of a single difficult ... father .... ( chap . 67 , p . 852 ) Mirah does not run away from her father as Jessica does , nor be- tray her father ...
Vanlige uttrykk og setninger
achieve actions actually appearance artistic aspects associated attitude aware beauty becomes Books cause certainly chap characterization Christian Cohens complex concerned Consequently considered contrast create criminal criticism Deronda described Dickens Dickens's Disraeli effect elements Emilius encourages England English evident evil example experience eyes face fact Fagin father feels foreign function further George Eliot hand History human individual Isaac Jewess Jewish characters Lady literature live Lizzie London look Lopez Madame Goesler manner means Melmotte Mirah moral Mordecai murder nature negative never novel occurs one's passage personality physical plot portrait position prejudice prejudiced present qualities race reader Rebecca references regard religion religious result Riah role Scott seems serves similar social society stereotypes story structure suggests sympathy techniques tion traits Trollope Trollope's turn types understanding values Victorian woman York
Referanser til denne boken
Crime, Gender, and Consumer Culture in Nineteenth-century England Tammy C. Whitlock Ingen forhåndsvisning tilgjengelig - 2005 |
Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840 Philip Cox Begrenset visning - 2000 |