 | William Seward - 1795
...ground on which the building is *' ere&ed ; and no Architect took greater care " that his Work fhould not appear crude and " hard, that is, that it did not abruptly ftart out " of the ground without expectation or prepa" ration. " Gothic Architects appear to have... | |
 | William Seward - 1796
...ground on which the building is " erected; and no Architect took greater care ** that his Work fhould not appear crude and " hard, that is, that it did not abruptly ftart out " of the ground without expe&ation or prepa** ration. " Gothic Archite&s appear to have made... | |
 | William Seward - 1798
...ground on which the " building is erected ; and no Architect took " greater care that his Work fhould not appear " crude and hard, that is, that it did not " abruptly ftart out of the ground without ex" pectation or preparation. " This," adds Sir Jofhua, " is a tribute... | |
 | Sir Joshua Reynolds, Edmond Malone, Thomas Gray - 1801
...and no Architect took greater care than he that his work should not appear crude and hard: that is, it did not abruptly start out of the ground without 'expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a Painter ; and was defrauded of the... | |
 | Joshua Reynolds (sir.) - 1801
...and no Architect took greater care than he that his work should not appear crude and hard: that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a Painter ; and was defrauded of the... | |
 | Alexander Chalmers - 1816
...architecture is the real ground on which the building is erected; and no architect took greater care that liis work should not appear crude and hard, that is, that...ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the... | |
 | Alexander Chalmers - 1816
...back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should...ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter, and was defrauded of the... | |
 | Joshua Reynolds (sir.) - 1819
...and no Architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Paintftr owes to an Architect who composed like a Painter ; and was defrauded of... | |
 | Sir Joshua Reynolds, Edmond Malone, Joseph Farington, Charles-Alphonse Dufresnoy - 1819
...and no Architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground without expectation or preparation. This is a tribute which a Painter owes to an Architect who composed like a Painter; and was defrauded of the... | |
 | Sir Joshua Reynolds - 1824
...architect took greater care than he that his work should not appear crude and hard ; that is, it_did not abruptly start out of the ground without expectation or preparation. This is a tribute which a painter owes to an architect who composed like a painter; and was defrauded of the... | |
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What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should not appear crude and hard, that is, that it did not abruptly start out of the ground without... 
