Shakespeare and the Confines of ArtRoutledge, 11. okt. 2013 - 184 sider First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
Inni boken
Resultat 1-5 av 86
Side
Philip Edwards. Routledge Library Editions SHAKESPEARE AND THE CONFINES OF ART SHAKESPEARE Routledge Library Editions SHAKESPEARE AND THE CONFINES OF ART SHAKESPEARE. Cover.
Philip Edwards. Routledge Library Editions SHAKESPEARE AND THE CONFINES OF ART SHAKESPEARE Routledge Library Editions SHAKESPEARE AND THE CONFINES OF ART SHAKESPEARE. Cover.
Side
... Shakespeare's Poetic Styles The Shakespeare Inset Shakespeare Shakespeare's Dramatic Structures Baxter Berry Bradbrook Brennan V Focus on Macbeth Brown VI Shakespeare's Soliloquies Clemen VII Shakespeare's Dramatic Art Clemen VIII A ...
... Shakespeare's Poetic Styles The Shakespeare Inset Shakespeare Shakespeare's Dramatic Structures Baxter Berry Bradbrook Brennan V Focus on Macbeth Brown VI Shakespeare's Soliloquies Clemen VII Shakespeare's Dramatic Art Clemen VIII A ...
Side
Philip Edwards. SHAKESPEARE AND THE CONFINES OF ART PHILIP EDWARDS ROUTLEDGE Routledge Taylor & Francis Group LONDON AND NEW YORK First published in 1968 Reprinted in 2005 by Routledge 2 Title Page.
Philip Edwards. SHAKESPEARE AND THE CONFINES OF ART PHILIP EDWARDS ROUTLEDGE Routledge Taylor & Francis Group LONDON AND NEW YORK First published in 1968 Reprinted in 2005 by Routledge 2 Title Page.
Side
Philip Edwards. PHILIP EDWARDS SHAKESPEARE and the Confines of Art ' No , they cannot touch me for coining ; I am the King himself ' METHUEN & CO LTD 11 New Fetter Lane London EC4 First published 1968 1968 Philip Edwards Printed in Great ...
Philip Edwards. PHILIP EDWARDS SHAKESPEARE and the Confines of Art ' No , they cannot touch me for coining ; I am the King himself ' METHUEN & CO LTD 11 New Fetter Lane London EC4 First published 1968 1968 Philip Edwards Printed in Great ...
Innhold
1 | |
2 The Sonnets to the Dark Woman | 17 |
3 Loves Labours Lost | 33 |
4 The Abandond Cave | 49 |
5 Romeo and Juliet | 71 |
6 Hamlet | 83 |
7 The Problem Plays i | 95 |
8 The Problem Plays ii | 109 |
9 The Jacobean Tragedies | 121 |
10 Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
Andre utgaver - Vis alle
Vanlige uttrykk og setninger
accept achieved Achilles action All's audience beauty believe Berowne Bertram bring Capulet characters Comedy of Errors comedy's conventions Cordelia corrupt created Dark Woman death Desdemona divine drama Duke Emilia evil experience fantasy feel festive comedies Florizel Friar Frye give Hamlet hate hath heaven Helena honour human Iago idea imagination innocence Jaques killing kind King Lear Leontes lives Love's Labour's Lost lovers lust Macbeth marriage masque Measure for Measure Midsummer Night's Dream mistress mood move nature of things Noble Kinsmen Othello Palamon pattern Perdita Pericles poem poet poetic poetry Prospero reality Romances Romeo and Juliet Rosalind scene scepticism seems sense sequence sexual Shake Shakespeare song sonnets speech spirit story suggest Tempest thee Theseus thou Timon tragedy Troilus and Cressida truth trying turn Twelfth Night Ulysses valuation victory vision Winter's Tale words writing youth