Shakespeare and the Confines of ArtRoutledge, 11. okt. 2013 - 184 sider First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
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... writing from the publishers . The publishers have made every effort to contact authors / copyright holders of the works reprinted in Routledge Library Editions – Shakespeare . This has not been possible in every case , however , and we ...
... writing from the publishers . The publishers have made every effort to contact authors / copyright holders of the works reprinted in Routledge Library Editions – Shakespeare . This has not been possible in every case , however , and we ...
Side 7
... writers the interpretive formulae which they need , they will take them where they can find them , in the stereotypes of cheap writing . To abandon the public to the mercies of meretricious art is not a small responsibility . There is a ...
... writers the interpretive formulae which they need , they will take them where they can find them , in the stereotypes of cheap writing . To abandon the public to the mercies of meretricious art is not a small responsibility . There is a ...
Side 12
... writer's beliefs and his works is not available to us . But even if it were , we should have to admit , if we were honest , that there is no graph of developing Weltanschauung which can make any sense at all : the track of ' bitterness ...
... writer's beliefs and his works is not available to us . But even if it were , we should have to admit , if we were honest , that there is no graph of developing Weltanschauung which can make any sense at all : the track of ' bitterness ...
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Innhold
1 | |
2 The Sonnets to the Dark Woman | 17 |
3 Loves Labours Lost | 33 |
4 The Abandond Cave | 49 |
5 Romeo and Juliet | 71 |
6 Hamlet | 83 |
7 The Problem Plays i | 95 |
8 The Problem Plays ii | 109 |
9 The Jacobean Tragedies | 121 |
10 Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
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accept achieved Achilles action All's audience beauty believe Berowne Bertram bring Capulet characters Comedy of Errors comedy's conventions Cordelia corrupt created Dark Woman death Desdemona divine drama Duke Emilia evil experience fantasy feel festive comedies Florizel Friar Frye give Hamlet hate hath heaven Helena honour human Iago idea imagination innocence Jaques killing kind King Lear Leontes lives Love's Labour's Lost lovers lust Macbeth marriage masque Measure for Measure Midsummer Night's Dream mistress mood move nature of things Noble Kinsmen Othello Palamon pattern Perdita Pericles poem poet poetic poetry Prospero reality Romances Romeo and Juliet Rosalind scene scepticism seems sense sequence sexual Shake Shakespeare song sonnets speech spirit story suggest Tempest thee Theseus thou Timon tragedy Troilus and Cressida truth trying turn Twelfth Night Ulysses valuation victory vision Winter's Tale words writing youth