My dwelling is the shadow of the night, The star which rules thy destiny throughout the perusal of the poem, owing either to some failure on the part of the poet, or to the inherent mystery of the subject. But though, on that account, it is difficult to comprehend distimotly the drift of the composition, it unquestionably exhibits Forced by a power (which is not thine, And parley with a thing like thee What wouldst thou, child of clay! with me? Earth, ocean, air, night, mountains, winds, thy star, What wouldst thou with us, son of mortals—say? First Spirit. Of what-of whom-and why? Man. Of that which is within me ; read it thereYe know it, and I cannot utter it. Spirit. We can but give thee that which we pos sess: Ask of us subjects, sovereignty, the power O'er earth, the whole, or portion; or a sign Which shall control the elements, whereof We are the dominators, each and all— These shall be thine. Man. Oblivion, self-oblivionCan ye not wring from out the hidden realms, Ye offer so profusely, what I ask ? Spirit. It is not in our essence, in our skill; But-thou mayst die. Man. Will death bestow iton me? Spirit. We are immortal, and do not forget; We are eternal, and to us the past Is, as the future, present. Art thou answer'd ? Man. Ye mock me-but the power which brought ye here Hath made you mine. Slaves, scoff not at my will! And shall not yield to yours, though coop'd in clay! Spirit. We answer as we answer'd; our reply Is even in thine own words. thee service; Bethink thee, is there then no other gift Which we can make not worthless in thine eyes? Man. No, none: yet stay-one moment, ere we part I would behold ye face to face. I hear But nothing more. Approach me as ye are, Spirit. We have no forms, beyond the elements Man. I have no choice; there is no form on earth Hideous or beautiful to me. Let him, Who is most powerful of ye, take such aspect As unto him may seem most fitting-Come! Seventh Spirit. (Appearing in the shape of a beautiful female figure.) Behold! Man. Oh God! if it be thus, and thou I yet might be most happy. I will clasp thee, [The figure vanishes. A Voice is heard in the Incantation which follows. (1) When the moon is on the wave, And the glow-worm in the grass, And the wisp on the morass; (2) With a power and with a sign. Though thy slumber may be deep, Yet thy spirit shall not sleep; There are shades which will not vanish, There are thoughts thou canst not banish; Thou canst never be alone; (1) These verses were written in Switzerland, in 1816, and transmitted to England for publication, with the third canto of Childe Harold. "As they were written," says Mr. Moore, "immediately after the last fruitless attempt at reconciliation, it is needless to say who was in the poet's thoughts while he penned seme of the opening stanzas."-E. (2) "And the wisp on the morass."-Hearing, in February, 1818, of a menaced version of Manfred by some Italian, Lord Byron wrote to his friend Mr. Hoppner-" If you have any means of communicating w th the man, would you permit me to convey And for ever shalt thou dwell Though thou seest me not pass by, Hath begirt thee with a snare; And the day shall have a sun, I found the strongest was thine own. By the perfection of thine art, Which pass'd for human thine own heart; By thy delight in others' pain, And by thy brotherhood of Cain, I call upon thee! and compel And on thy head I pour the vial Shall be in thy destiny; Though thy death shall still seem near to him the offer of any price he may obtain, or think to obtain, for his project, provided he will throw his translation into the fire, and promise not to undertake any other of that, or any other of my things? I will send him his money immediately, on this condition." A negotiation was accordingly set on foot, and the translator, on receiving two hundred francs, delivered up his manuscript, and engaged never to translate any other of the poet's works. Of his qualifications for the task some notion may be formed from the fact, that he had turned the word "wisp," in this line, into "a bundle of straw."—E. 322 Lo! the spell now works around thee, SCENE II. The Mountain of the Jungfrau.-Time, Morning. -MANFRED alone upon the Cliffs. Man. The spirits I have raised abandon me- I lean no more on super-human aid, The future, till the past be gulf'd in darkness, And thou fresh-breaking Day, and you, ye moun tains, Why are ye beautiful? I cannot love ye, And my brain reels-and yet my foot is firm: My own soul's sepulchre, for I have ceased [An eagle passes. Whose happy flight is highest into heaven, How glorious in its action and itself! To sink or soar, with our mix'd essence make And men are what they name not to themselves, [The shepherd's pipe in the distance is heard. The natural music of the mountain-reedFor here the patriarchal days are not A pastoral fable-pipes in the liberal air, A living voice, a breathing harmony, Enter, from below, a CHAMOIS HUNTER. Man. (not perceiving the other.) To be thusGrey-hair'd with anguish,(2) like these blasted pines, Wrecks of a single winter, barkless, branchless, (3) gun in the other: but this was pure and unmixed-solitary, savage, and patriarchal. As we went, they played the 'Ranz des Vaches' and other airs, by way of farewell. I have lately re peopled my mind with nature."-E. (1) The germs of this, and of several other passages in Manfred, may be found in the Journal of his Swiss tour, which Lord Byron transmitted to his sister: e. g. Sept. 19.-Arrived at a lake in the very bosom of the mountains; left our quadrupeds, and ascended further; came to some snow in patches, upon which my forehead's perspiration fell like rain, making the same dents as in a sieve; the chill of the wind and the snow turned me giddy," but I scrambled on and upwards. Hobhouse went to the highest pinnacle. The whole of the mountains superb. A shepherd on a steep and very high cliff, playing upon his pipe; very different from Arcadia. The music of the cows' bells (for their wealth, like the patriarchs', is cattle) in the pastures, which reach to a height far above any mountains in Britain, and the shepherds shouting to us from crag to crag, and playing on their reeds where the steeps appeared almost inaccessibie, with the surrounding scenery, realized all that I have ever heard or imagined of a pastoral existence-much more so than Greece or Asia Minor; for there we are a little too much of the sabre and musket order, and if there is a crook in one hand, you are sure to see a (2) See the opening lines to the Prisoner of Chillon. Speaking of Marie Antoinette, "I was struck," says Madame Campan, with the astonishing change misfortune had wrought upon her features: her whole head of hair had turned almost white, during her transit from Varennes to Paris." The same thing occurred to the unfortunate Queen Mary. "With calm but undaunted fortitude," says her historian," she laid her neck upon the block; and while one executioner held her hands, the other, at the second stroke, cut off her head, which, falling out of its attire, discovered her hair, already grown quite grey with cares and sorrows." The hair of Mary's grandson, Charles I., turned quite grey, in like manner, during his stay at Carisbrooke. -E. (3) Passed whole woods of withered pines, all withered,trunks stripped and barkless, branches lifeless; done by a single A blighted trunk upon a cursed root, In mountainous o'erwhelming, come and crush me! C. Hun. The mists begin to rise from up the valley; Man. The mists boil up around the glaciers; clouds Rise curling fast beneath me, white and sulphury, Man. Mountains have fallen, Leaving a gap in the clouds, and with the shock Rocking their Alpine brethren; filling up The ripe green valleys with destruction's splinters; Damming the rivers with a sudden dash, Which crush'd the waters into mist, and made Their fountains find another channel-thus, Thus, in its old age, did Mount RosenbergWhy stood I not beneath it? C. Hun. My bones had then been quiet in their depth; In this one plunge.-Farewell, ye opening heavens! [48 MANFRED is in act to spring from the cliff, the CHAMOIS HUNTER seizes and retains him with a sudden grasp. C. Hun. Hold, madman!—though aweary of thy life, Stain not our pure vales with thy guilty blood- Man. I am most sick at heart-nay, grasp me not I am all feebleness-the mountains whirl C. Hun. I'll answer that anon.—-Away with me— Ye were not meant for me-Earth! take these atoms! Carousing with the vassals; but the paths, winter: their appearance reminded me of me and my family." Swiss Journal.-E. (1) "Ascended the Wengen mountain; left the horses, took off my coat, and went to the summit. On one side, our view comprised the Jungfrau, with all her glaciers; then the Dent d'Argent, shining like truth; then the Little Giant, and the Great Giant; and last, not least, the Wetterhorn. The height of the Jungfrau is thirteen thousand feet above the sea, and eleven thousand above the valley. Heard the avalanches falling every five minutes nearly." Swiss Journal.-E. (2) In the MS. "Like foam from the roused ocean of old Hell."-E. (3) "The clouds rose from the opposite valley, curling up perpendicular precipices, like the foam of the ocean of hell during a spring-tide-it was white and sulphury, and immeasurably deep in appearance. The side we ascended was not of so precipitous a nature; but on arriving at the summit we looked down upon the other side upon a boiling sea of cloud, dashing against the crags on which we stood-these crags on one side quite perpendicular. In passing the masses of snow, I made a snowball and pelted Hobhouse with it." Swiss Journal.-E. Which step from out our mountains to their doors, Well, sir, pardon me the question, Will it then never-never sink in the earth? C. Hun. What dost thou mean? thy senses wander from thee. Man. I say 't is blood-my blood! the pure warm stream Which ran in the veins of my fathers, and in ours C. Hun. Man of strange words, and some That thou dost see, or think thou look'st upon? And spirit patient, pious, proud, and free; It matters not-my soul was scorch'd already! Man. No, friend! I would not wrong thee, nor ex- My lot with living being: I can bear- Which makes thee people vacancy, whate'er For brutes of burthen, not for birds of prey; C. Hun. Thanks to heaven! Man. Think'st thou existence doth depend on It doth; but actions are our epochs: mine Brren and cold, on which the wild waves break, C. Hun. And with this- A lower Valley in the Alps.-A Cataract. (1) Man. It is not noon-the sunbow's rays (2) still arch C. Hun. Alas! he 's mad-but yet I must not O'er the crag's headlong perpendicular, (1) "This scene is one of the most poetical and most sweetly written in the poem. There is a still and delicious witchery in the tranquillity and seclusion of the place, and the celestial beauty And fling its lines of foaming light along, of the being who reveals herself in the midst of these visible enchantments." Jeffrey. (2) This iris is formed by the rays of the sun over the lower |