The Cambridge History of Nineteenth-Century Music, Sider 151-177Jim Samson Cambridge University Press, 3. des. 2001 - 772 sider The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries. |
Innhold
The musical work and nineteenthcentury history | 3 |
The opera industry Roger Parker | 4 |
The construction of Beethoven K M Knittel | 5 |
Music and the poetic Julian Rushton | 6 |
The invention of tradition John Irving | 7 |
Choral music John Butt | 8 |
The consumption of music Derek Carew | 9 |
The great composer Jim Samson | 10 |
The opera industry | 87 |
The construction of Beethoven | 118 |
Music and the poetic | 157 |
The invention of tradition | 178 |
The consumption of music | 237 |
The great composer | 259 |
The structures of musical life | 343 |
Opera and music drama | 371 |
the aesthetics of autonomy Max Paddison | 12 |
The structures of musical life Katharine Ellis | 13 |
Opera and music drama Thomas Grey | 14 |
the symphonic tradition James Hepokoski | 15 |
Words and music in France and Germany Susan Youens | 16 |
Chamber music and piano Jonathan Dunsby | 17 |
Choral culture and the regeneration of the organ John Butt | 18 |
Music and social class Derek B Scott | 19 |
Nations and nationalism Jim Samson | 20 |
Styles and languages Anthony Pople | 21 |
Music and the rise of aesthetics | 29 |
The profession of music | 55 |
the symphonic tradition | 424 |
Words and music in Germany and France | 460 |
Chamber music and piano | 500 |
Music and social class | 544 |
Nations and nationalism | 568 |
Styles and languages around the turn of the century | 601 |
Chronology | 621 |
Institutions | 659 |
Personalia | 689 |
| 747 | |
Andre utgaver - Vis alle
The Cambridge History of Nineteenth-Century Music Jim Samson Ingen forhåndsvisning tilgjengelig - 2014 |
The Cambridge History of Nineteenth-Century Music, Volum 1 Jim Samson Ingen forhåndsvisning tilgjengelig - 2001 |
Vanlige uttrykk og setninger
19th Century Music A. B. Marx absolute music aesthetic artistic Bach became Beethoven Berlin Berlioz Brahms Brahms's Cambridge canon Carl Dahlhaus chamber music Chopin choral Classical composers composition concert Conservatory critical culture Dahlhaus Debussy dramatic E. T. A. Hoffmann early nineteenth century early Romantic eighteenth century Europe example founded France French genre German grand opera Haydn idea instrumental music Italian opera language late later Leipzig Liszt London lyrical Mahler major melody Mendelssohn Meyerbeer modern movement Mozart musicians Musik Nineteenth-Century Music opéra comique orchestral original edn Oxford Palestrina Paris performance period Philharmonic pianist piano playing poem poetic poetry political popular Premières programme programme music published repertory Richard Strauss role Romantic Music Romanticism Rossini Schubert Schumann sense social Society solo sonata sonata form song Strauss String Quartet style Symphony theatre theme tion tonal tradition trans Verdi Vienna violin vocal Wagner Weber writes York