The Life and Writings of Sir Joshua Reynolds: First President of the Royal AcademyA. S. Barnes & Burr, 1860 - 369 sider |
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Side 3
... young Reynolds . His father , a clergyman of the established church , gave him the scriptural name of Joshua , in the belief , says Malone , who had the legend from Bishop Percy of Dromore , that some enthusiast of the same name might ...
... young Reynolds . His father , a clergyman of the established church , gave him the scriptural name of Joshua , in the belief , says Malone , who had the legend from Bishop Percy of Dromore , that some enthusiast of the same name might ...
Side 6
... young Reynolds had nothing more to do but stand in the way and be pushed silently on to wealth and reputation . Hudson , the most distinguished portrait - maker of that time , was nevertheless a man of little skill and less talent , who ...
... young Reynolds had nothing more to do but stand in the way and be pushed silently on to wealth and reputation . Hudson , the most distinguished portrait - maker of that time , was nevertheless a man of little skill and less talent , who ...
Side 8
... young painter , and the popularity of the great poet . He continued for two years in the employment of Hudson , and acquired with uncommon rapidity such professional knowledge as could then and there be obtained . He painted during that ...
... young painter , and the popularity of the great poet . He continued for two years in the employment of Hudson , and acquired with uncommon rapidity such professional knowledge as could then and there be obtained . He painted during that ...
Side 10
... young lady of rare beauty , afterward too famous as Duchess of Kingston , happened to be on a visit at Sal- tram in the neighborhood of Plymouth , and sat for her portrait . This seems to have pleased Reynolds less than another sitter ...
... young lady of rare beauty , afterward too famous as Duchess of Kingston , happened to be on a visit at Sal- tram in the neighborhood of Plymouth , and sat for her portrait . This seems to have pleased Reynolds less than another sitter ...
Side 11
... the insults of the Algerines , and he invited Reynolds to accompany him . The young artist willingly embarked with the full equipment of his profession , and touching at Lisbon , went ashore , and witnessed several LIFE . 11.
... the insults of the Algerines , and he invited Reynolds to accompany him . The young artist willingly embarked with the full equipment of his profession , and touching at Lisbon , went ashore , and witnessed several LIFE . 11.
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The Life and Writings of Sir Joshua Reynolds: First President of the Royal ... Sir Joshua Reynolds,Allan Cunningham Uten tilgangsbegrensning - 1860 |
Vanlige uttrykk og setninger
acquired admiration Albert Durer ancient appear artist attention beauty Burke Carlo Maratti character Claude Lorrain coloring composition considered copy Correggio defects dignity discourse distinguished drapery drawing dress effect elegance eminent employed endeavor equal excellence exhibition expression fame figure finished Gainsborough genius give grace grandeur Guercino habit idea imagination imitation invention Johnson justly kind knowledge labor light and shadow living manner Masaccio masters means merit method Michael Angelo mind modern nature never Northcote object observed opinion ornaments painter painting passions Paul Veronese peculiar pencil perfect perhaps picture Pietro Perugino poet poetical poetry portrait possessed Poussin practice praise principles produced Raffaelle Raphael reason Rembrandt Reynolds Rome Royal Academy Rubens rules Sculptors seems sense simplicity Sir Joshua Sir Joshua Reynolds skill Students suppose taste thing thought tion Titian true truth ture Venetian Venetian school vulgar whole wish
Populære avsnitt
Side 42 - The only dedication I ever made was to my brother, because I loved him better than most other men. He is since dead. Permit me to inscribe this Poem to you.
Side 39 - There is no excellent Beauty that hath not some strangeness in the proportion. A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Side 82 - His talents of every kind, powerful from nature, and not meanly cultivated by letters, his social virtues in all the relations, and all the habitudes of life, rendered him the centre of a very great and unparelleled variety of agreeable societies, which will be dissipated by his death. He had too much merit not to excite some jealousy, too much innocence to provoke any enmity. The loss of no man of his time can be felt with more sincere, general, and unmixed sorrow.
Side 77 - Michael Angelo's works have a strong, peculiar, and marked character : they seem to proceed from his own mind entirely, and that mind so rich and abundant, that he never needed, or seemed to disdain, to look abroad for foreign help. Raffaelle's materials are generally borrowed, though the noble structure is his own.
Side 93 - The mind is but a barren soil ; a soil which is soon exhausted, and will produce no crop, or only one, unless it be continually fertilized and enriched with foreign matter.
Side 33 - I will now add, that Nature herself is not to be too closely copied. There are excellencies in the art of painting beyond what is commonly called the imitation of Nature ; and these excellencies I wish to point out.
Side 34 - ... of antiquity, are continually enforcing this position, that all the arts receive their perfection from an ideal beauty, superior to what is to be found in individual nature. They are ever referring to the practice of the painters and sculptors of their times, particularly Phidias (the favourite artist of antiquity), to illustrate their assertions. As if they could not sufficiently express their admiration of his genius by what they knew, they have recourse to poetical enthusiasm. They call it...
Side 114 - ... entertain such sentiments as these, we generally rest contented with mere words, or at best entertain notions not only groundless but pernicious.
Side 12 - I would chiefly recommend that an implicit obedience to the Rules of Art, as established by the practice of the great Masters, should be exacted from the young Students. That those models which have passed through the approbation of ages should be considered by them as perfect and infallible guides, as subjects for their imitation not their criticism.
Side 229 - ... it ; and does not wait for the slow progress of deduction, but goes at once, by what appears a kind of intuition, to the conclusion. A man endowed with this faculty feels and acknowledges the truth, though it is not always in his power, perhaps, to give a reason for it ; because he cannot recollect and bring before him all the materials that gave birth to his opinion ; for very many and very intricate considerations may unite to form the principle, even of small and minute parts, involved in,...