[104-113 A.D.]

thought it right to set them at liberty. Others, when accused by an informer, confessed that they were Christians, and soon after denied the fact; they said they had been, but had ceased to be, some three, some more, not a few even twenty years previously. All these worshipped your image and those of the gods, and cursed Christ. But they affirmed that the sum-total of their fault or their error was, that they were accustomed to assemble on a fixed day before dawn, and sing an antiphonal hymn to Christ as God; that they bound themselves by an oath, not to the commission of any wickedness, but to abstain from theft, robbery, and adultery; never to break a promise, or to deny a deposit when it was demanded back. When these ceremonies were concluded, it was their custom to depart, and again assemble together to take food harmlessly and in common. That after my proclamation, in which, in obedience to your command, I had forbidden associations, they had desisted from this practice. For these reasons, I the more thought it necessary to investigate the real truth, by putting to the torture two maidens, who were called deaconesses; but I discovered nothing but a perverse and excessive superstition.

"I have therefore deferred taking cognizance of the matter until I had consulted you. For it seemed to me a case requiring advice, especially on account of the number of those in peril. For many of every age, sex, and rank, are and will continue to be called in question. The infection in fact has spread not only through the cities, but also through the villages and open country; but it seems that its progress can be arrested. At any rate, it is clear that the temples which were almost deserted begin to be frequented; and solemn sacrifices, which had been long intermitted, are again performed, and victims are being sold everywhere, for which up to this time a purchaser could rarely be found. It is therefore easy to conceive that crowds might be reclaimed if an opportunity for repentance were given." To this letter Trajan replied:

"In sifting the cases of those who have been indicted on the charge of Christianity, you have adopted, my dear Secundus, the right course of proceeding; for no certain rule can be laid down which will meet all cases. They must not be sought after, but if they are informed against and convicted, they must be punished; with this proviso, however, that if anyone denies that he is a Christian, and proves the point by offering prayers to our deities, notwithstanding the suspicions under which he has laboured, he shall be pardoned on his repentance. On no account should any anonymous charge be attended to, for it would be the worst possible precedent, and is inconsistent with the habits of our times."i

Nothing perhaps could better illustrate the judicial and tolerant temper of Trajan's mind than this letter in reference to a class of people whom the emperor could not possibly have contemplated without prejudice.

TRAJAN'S COLUMN

If literary remains dealing with history of the time of Trajan are meagre, amends are made for the deficit by the sculptures and bas-reliefs that ornament the Column of Trajan previously mentioned, which still stands in an excellent state of preservation amidst the ruins of a forum. This column of marble, now weathered to a bronze-like hue, is covered throughout its entire height by a spiral column of figures representing all manner of military operations. More than twenty-five hundred human figures are said to

[103 A.D.]

The

be depicted, and all of these are executed with lifelike fidelity. The basreliefs represent the expeditions of Trajan against the Dacians.< column is thus described by Burn:

"The bas-relief" representing the first campaign against the Dacians begins at the base by a representation of the banks of the Save, down which the Roman army passed, and shows military storehouses, piles of wood, stacks of hay, and wooden huts. Then follow forts with soldiers on guard, and boats carrying barrels of provisions. The river god Danube then appears and looks on with astonishment at the bridge of boats over which the Roman army is passing. The baggage of the soldiers on the march, tied to the top of the vallum or palisade which they carry, and the different military standards, are very distinctly shown. Many of the men are without covering on their heads, but some wear lions' skins. The emperor and his staff are then introduced. He is sitting upon a suggestus or platform, and Lucius, the prætorian prefect, sits beside him. The suovetaurilia, a grand sacrificial celebration, is the next scene, with priests in the cinctus gabinus and trumpeters. After this the emperor is seen making a speech to the army, and a little farther on the building of a stone encampment enclosing huts is being carried on with great vigour, and bridges are being thrown across a river, over which cavalry are passing.

"A battle seems then to take place, and the heads of two enemies are being brought to the emperor. The Dacian army with the dragon ensign and the Dacian cap, the symbol of superior rank, seen upon the statues of the Dacian prisoners on the Arch of Constantine, appears. Jupiter gives the victory to the Romans, the Dacian camp is burned, and the Dacians fly. Numerous representations of forts, boats, different kinds of troops, skirmishes, and sieges follow, ending with the surrender of Decebalus and the return of Trajan to Rome, where a great festival is celebrated. The arrival at Rome, and the crowd of Romans going to meet the great conqueror, are very vividly drawn. An immense number of bulls for sacrifice, altars, camilli, and half-naked popæ are introduced into the triumphal rejoicings, and the first campaign ends with the figure of Trajan offering incense on the altar of Jupiter Capitolinus.

"A somewhat similar series of scenes are represented in the sculptures which depict the second campaign. Perhaps the most interesting is that of the great bridge over the Danube, made of wood supported on stone piers, the foundations of which may still be seen in the bed of the river. Apollodorus, the architect of the Forum, designed this immense work, which crossed the Danube at a spot where it is not less than 1300 yards wide, near the village of Gieli. A permanent road into Dacia and secure communications with his basis of operations having thus been secured, Trajan gradually advanced from post to post, driving the Dacians into the mountainous parts of the country. The sculptures represent a number of skirmishes and assaults upon fortified places, but no regular pitched battle. At last the ghastly spectacle of the head and hands of Decebalus is exhibited on a board by two soldiers in front of the Prætorium. This disgusting scene is followed by a representation of the storming of the last strongholds of the enemy in the mountains, and a mournful procession of fugitives carrying away their goods and driving their cattle into exile forms the close of the sculptured history of the Dacian campaigns of Trajan.

In these curious bas-reliefs," Burn continues, "we have a treasury of information on the religion, the military science, the habits and dress of the Romans of the empire far more valuable than ten thousand pages of descrip

[113 A.D.]

tive writing. The lover of Roman antiquities will learn more by studying Fabretti's engravings of these reliefs, or the casts at the French Academy at Rome, and at the Kensington Museum, than by much book-labour. The descriptions of Livy and Polybius, Cæsar and Tacitus, receive life and movement and interest as we look at the actual figures (oculis subjecta fidelibus) of the general and his staff; the Prætorian guards marked by their belts over the left shoulder; the fierce-looking standard-bearers and centurions with their heads covered by lions' skins, the shaggy manes of which stream down their backs; the rank and file carrying enormous stakes; the master masons, sappers, and pioneers, with their axes and crowbars; the lancers, heavy and light cavalry, and royal chargers; the Sarmatian horsemen, clothed, both riders and steeds, in complete scale armour, and the Moorish cavalry, riding without

reins.

"Bridges are constructed,

Roman causeways laid, forts attacked with all kinds of military engines; the charge of cavalry, the rout and confusion of a defeated army, are all most vividly depicted. Trajan in person traverses the ranks on foot, or mounts the suggestus and harangues his men, or receives with simple dignity the submission of the enemy, or marches with all the pomp of a Roman procession under the triumphal arch. The soldier-like simplicity of the great military emperor is strikingly portrayed. There is no silken tent, or richly decorated chariot, or throne, or canopy of state to be seen. His colonel of the guards sits beside him, as an equal, on the suggestus. In the midst of a battle the emperor tears up his robe to bind the wounds of his soldiers; he is present everywhere, wearing a sword and fighting in person.

Nothing could be more illustrative of the state of Roman affairs in that iron age, when again, as in the olden times, a rough and unlettered warrior, fresh from the camp, swayed the destinies of the empire."k

This Column of Trajan originally stood surrounded by buildings forming a court only about forty feet square, the intention being apparently that the figures should be viewed from the surrounding structures. Notwithstanding this the sculptures are progressively larger toward the top, the perspective effect when looking from below being obvious in the artist's mind. To-day the column stands in lonely grandeur in Trajan's Forum; discoloured and weather-worn, but otherwise little altered from the original state except at the very top, where, incongruously enough, a statue of St. Peter now takes the place of the colossal figure of Trajan himself which once occupied

[117-118 A.D.] the pedestal. Sixtus V placed the effigy of the Christian there, the pagan image having been taken away some time in the early Middle Ages. The substitution was a characteristic act of piety, which could have been permitted only by an equally characteristic lack of humour. But quite regardless of its incongruous apex, the column remains as the most important historical document relating to military customs of classical antiquity that has come down to us.a

HADRIAN (P. ÆLIUS HADRIANUS), 117–138 A.D.

Hadrian was by descent a Spaniard, and of the same city where Trajan was born. He was nephew to Trajan, and married to Sabina, his grandniece. When Trajan was adopted by Nerva, Hadrian was a tribune of the army in Moesia, and sent by the troops to congratulate the emperor on his advancement. But his brother-in-law, who desired to have an opportunity of congratulating Trajan himself, supplied Hadrian with a carriage that broke down on the way. Hadrian, however, was resolved to lose no time, so the story goes, and performed the rest of the journey on foot. This assiduity was very pleasing. But the emperor was believed to dislike Hadrian for several reasons. He was expensive, and involved in debt. He was, besides, inconstant, capricious, and apt to envy another's reputation. These faults, in Trajan's opinion, could not be compensated either by Hadrian's learning or his talents. His great skill in the Greek and Latin languages, his intimate acquaintance with the laws of his country and the philosophy of the times, were no inducements to Trajan, who, being bred himself a soldier, desired to have a military man to succeed him. For this reason it was that the dying emperor would by no means appoint a successor; fearful, perhaps, of injuring his great reputation, by adopting a person that was unworthy. His death, therefore, was concealed for some time by Plotina, his wife, till Hadrian had sounded the inclinations of the army, and found them firm in his interests. They then produced a forged instrument, importing that Hadrian was adopted to succeed in the empire. By this artifice he was elected by all orders of the state, though absent from Rome, being then at Antioch, as general of the forces in the East.1

Upon Hadrian's election, his first care was to write to the senate, excusing himself for assuming the empire without their previous approbation; imputing it to the hasty zeal of the army, who rightly judged that the senate ought not long to remain without a head. He then began to pursue a course quite opposite to that of his predecessor, taking every method of declining war, and promoting the arts of peace. He was quite satisfied with preserving the ancient limits of the empire, with the Euphrates as the boundary.

Having thus settled the affairs of the East, and leaving Severus governor of Syria, he took his journey by land to Rome, sending the ashes of Trajan thither by sea. Upon his approach to the city, he was informed that a magnificent triumph was preparing for him; but this he modestly declined, desiring that those honours might be paid to Trajan's memory which they had designed for him. In consequence of this command, a most superb triumph was decreed, in which Trajan's statue was carried as the principal figure in the procession, it being remarked that he was the only man that ever triumphed after he was dead.

[1 There are other accounts; some claiming that Trajan "loved Hadrian as his son."]

[117-118 A.D.]

THE VARIED ENDOWMENTS OF HADRIAN

It was not an easy task to appear with any lustre after an emperor so loved and admired as Trajan; and yet the merits of his successor seemed, in some measure, to console the people for their loss. Hadrian was one of the most remarkable of the Roman emperors for the variety of his endowments. He was highly skilful in all the exercises both of body and mind. He composed with great beauty, both in prose and verse; he pleaded at the bar, and was one of the best orators of his time. He was deeply versed in the mathematics, and no less skilful in physic. In drawing and painting, he was equal to the greatest masters; an excellent musician, and sang to admiration. Besides these qualifications, he had an astonishing memory; he knew the names of all his soldiers, though ever so long absent. He could dictate to one, confer with another, and write himself, all at the same time. remarkably expert in military discipline; he was strong and very skilful in arms, both on horseback and on foot, and frequently with his own hand killed wild boars, and even lions, in hunting.

His moral virtues were not less than his accomplishments. Upon his first exaltation, he forgave an infinite number of debts due to the exchequer, remitting the large arrears to which the provinces were liable, and burning the bonds and registers of them in the public Forum. He refused to take the confiscated estates of condemned persons into his private coffers, but ordered them to be placed in the public treasury. His moderation and clemency appeared by pardoning the injuries which he had received when he was yet but a private man. One day meeting a person who had formerly been his most inveterate enemy, "My good friend,” cried he, "you have escaped, for I am made emperor." He had so great a veneration for the senate, and was so careful of not introducing unworthy persons into it, that he told the captain of his guard, when he made him senator, that he had no honours in his gift equal to what he then bestowed. He was affable to his friends, and gentle to persons of meaner stations; he relieved their wants, and visited them in sickness; it being his constant maxim, that he was an emperor, not for his own good, but for the benefit of mankind.

These were his virtues, which were contrasted by a strange mixture of vices; or, to say the truth, the wanted strength of mind to preserve his general rectitude of character without deviation. Thus he is represented as proud and vainglorious, envious and detractive, hasty and revengeful, inquisitive into other men's affairs, and often induced by sycophants to acts of cruelty and injustice. He permitted the revival of the persecution against the Christians, and showed many instances of a bad disposition, which it was the whole study of his life to correct or to conceal.

But whatever Hadrian might have been as to his private character, his conduct as an emperor appears most admirable, as all his public transactions seem dictated by the soundest policy and the most disinterested wisdom. He was scarce settled on the throne, when several of the northern barbarians, the Alans, the Sarmatians, and the Dacians, began to make devastations on the empire. These hardy nations, who now found the way to conquer, by issuing from their forests, and then retiring upon the approach of a superior force opposing them, began to be truly formidable to Rome. Hadrian had thoughts of contracting the limits of the empire, by giving up some of the most remote and the least defensible provinces; but in this he was overruled by his friends, who wrongly imagined that an extensive frontier would tend to intimidate an invading enemy. But though he complied with their