Goethe's Faust and European Epic: Forgetting the FutureGoethe has long been enshrined as the greatest German poet, but his admirers have always been uneasy with the idea that he did not produce a great epic poem. A master in all the other genres and modes, it has been felt, should have done so. Arnd Bohm proposes that Goethe did compose an epic poem, which has been hidden in plain view: Faust. Goethe saw that the Faust legends provided the stuff for a national epic: a German hero, a villain (Mephistopheles), a quest (to know all things), a sublime conflict (good versus evil), a love story (via Helen of Troy), and elasticity (all human knowledge could be accommodated by the plot). Bohm reveals the care with which Goethe draws upon such sources as Tasso, Ariosto, Dante, and Vergil. In the microcosm of the "Auerbachs Keller" episode Faust has the opportunity to find "what holds the world together in its essence" and to end his quest happily, but he fails. He forgets the future because he cannot remember what epic teaches. His course ends tragically, bringing him back to the origin of epic, as he replicates the Trojans' mistake of presuming to cheat the gods. Arnd Bohm isAssociate Professor of English at Carleton University, Ottawa. |
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Side 13
the mention of Faust's aimless pursuit of knowledge and Goethe's revelation ( many years after the event ) of his intense ... self and still represented by the literary character Faust , Goethe had already moved on to serious research .
the mention of Faust's aimless pursuit of knowledge and Goethe's revelation ( many years after the event ) of his intense ... self and still represented by the literary character Faust , Goethe had already moved on to serious research .
Side 17
The chronological sequence of when works were published is misleading about Goethe's intellectual development . For example , Torquato Tasso was written in the early 1780s , but Goethe had known the poet's works from early childhood .
The chronological sequence of when works were published is misleading about Goethe's intellectual development . For example , Torquato Tasso was written in the early 1780s , but Goethe had known the poet's works from early childhood .
Side 67
52 He sums up the force of the negative conclusions drawn by Emil Sulger - Gebing's rigorously positivistic study Goethe und Dante : Studien zur vergleichenden Literaturgeschichte ( 1907 ) , which is still the standard study of the ...
52 He sums up the force of the negative conclusions drawn by Emil Sulger - Gebing's rigorously positivistic study Goethe und Dante : Studien zur vergleichenden Literaturgeschichte ( 1907 ) , which is still the standard study of the ...
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Innhold
The System of European Epic | 20 |
Faust and Epic History | 36 |
The Roots of Evil | 87 |
Opphavsrett | |
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Vanlige uttrykk og setninger
able Aeneas Aeneid allusion Ariosto attempt Auerbachs Keller authority become beginning blood body Cambridge century characters Chicago Christ Christian connection continue critical Dante Dante's detail discussion Divine drama Empire epic episode Essays evidence example fact Faust figure four four companions German give Goethe Goethe's Hell hero human humors important influence interest Italian Italy Johann John knowledge language Leipzig lines literary Literature London material means melancholy memory Mephistopheles Milton mind nature never nicht observes once Orlando Furioso Oxford Paradise passage poem poet political possible present Princeton question reference remember Renaissance Roman Satan scene seems Siebel Song stage story Studies Tasso theatre tion tradition trans translation tree turn University Vergil Walter wine York
Bibliografisk informasjon
| Tittel | Goethe's Faust and European Epic: Forgetting the Future Volum 2 av Studies in German literature, linguistics, and culture |
| Forfatter | Arnd Bohm |
| Utgave | illustrert |
| Utgiver | Camden House, 2007 |
| Original fra | University of Michigan |
| Digitalisert | 30. mai 2008 |
| ISBN | 1571133445, 9781571133441 |
| Lengde | 276 sider |
| Eksporter sitat | BiBTeX EndNote RefMan |