Goethe's Faust and European Epic: Forgetting the FutureGoethe has long been enshrined as the greatest German poet, but his admirers have always been uneasy with the idea that he did not produce a great epic poem. A master in all the other genres and modes, it has been felt, should have done so. Arnd Bohm proposes that Goethe did compose an epic poem, which has been hidden in plain view: Faust. Goethe saw that the Faust legends provided the stuff for a national epic: a German hero, a villain (Mephistopheles), a quest (to know all things), a sublime conflict (good versus evil), a love story (via Helen of Troy), and elasticity (all human knowledge could be accommodated by the plot). Bohm reveals the care with which Goethe draws upon such sources as Tasso, Ariosto, Dante, and Vergil. In the microcosm of the "Auerbachs Keller" episode Faust has the opportunity to find "what holds the world together in its essence" and to end his quest happily, but he fails. He forgets the future because he cannot remember what epic teaches. His course ends tragically, bringing him back to the origin of epic, as he replicates the Trojans' mistake of presuming to cheat the gods. Arnd Bohm isAssociate Professor of English at Carleton University, Ottawa. |
Inni boken
Resultat 1-3 av 58
Side 87
4 : The Roots of Evil OETHE AND VERGIL SEEMS AN UNPROMISING conjunction , given the received opinions that the former was totally captivated by Homer and that the latter was generally neglected by Germans in the eighteenth century .
4 : The Roots of Evil OETHE AND VERGIL SEEMS AN UNPROMISING conjunction , given the received opinions that the former was totally captivated by Homer and that the latter was generally neglected by Germans in the eighteenth century .
Side 88
( HA 9:42 ) Even as a child , then , Goethe knew that the epic continuation of Homer led to Vergil . We also have good reason to believe that Goethe knew at least the first half of the Aeneid extremely well , for he mentions it ...
( HA 9:42 ) Even as a child , then , Goethe knew that the epic continuation of Homer led to Vergil . We also have good reason to believe that Goethe knew at least the first half of the Aeneid extremely well , for he mentions it ...
Side 169
A key figure in the evolution of the epic into a sort of encyclopedic text was Vergil , both as he conceived his own task in relation to Homer and as he was later elevated , first to the status of hermetic philosopher and then in the ...
A key figure in the evolution of the epic into a sort of encyclopedic text was Vergil , both as he conceived his own task in relation to Homer and as he was later elevated , first to the status of hermetic philosopher and then in the ...
Hva folk mener - Skriv en omtale
Vi har ikke funnet noen omtaler på noen av de vanlige stedene.
Innhold
The System of European Epic | 20 |
Faust and Epic History | 36 |
The Roots of Evil | 87 |
Opphavsrett | |
5 andre deler vises ikke
Andre utgaver - Vis alle
Vanlige uttrykk og setninger
able Aeneas Aeneid allusion Ariosto attempt Auerbachs Keller authority become beginning blood body Cambridge century characters Chicago Christ Christian connection continue critical Dante Dante's detail discussion Divine drama Empire epic episode Essays evidence example fact Faust figure four four companions German give Goethe Goethe's Hell hero human humors important influence interest Italian Italy Johann John knowledge language Leipzig lines literary Literature London material means melancholy memory Mephistopheles Milton mind nature never nicht observes once Orlando Furioso Oxford Paradise passage poem poet political possible present Princeton question reference remember Renaissance Roman Satan scene seems Siebel Song stage story Studies Tasso theatre tion tradition trans translation tree turn University Vergil Walter wine York