Goethe's Faust and European Epic: Forgetting the FutureGoethe has long been enshrined as the greatest German poet, but his admirers have always been uneasy with the idea that he did not produce a great epic poem. A master in all the other genres and modes, it has been felt, should have done so. Arnd Bohm proposes that Goethe did compose an epic poem, which has been hidden in plain view: Faust. Goethe saw that the Faust legends provided the stuff for a national epic: a German hero, a villain (Mephistopheles), a quest (to know all things), a sublime conflict (good versus evil), a love story (via Helen of Troy), and elasticity (all human knowledge could be accommodated by the plot). Bohm reveals the care with which Goethe draws upon such sources as Tasso, Ariosto, Dante, and Vergil. In the microcosm of the "Auerbachs Keller" episode Faust has the opportunity to find "what holds the world together in its essence" and to end his quest happily, but he fails. He forgets the future because he cannot remember what epic teaches. His course ends tragically, bringing him back to the origin of epic, as he replicates the Trojans' mistake of presuming to cheat the gods. Arnd Bohm isAssociate Professor of English at Carleton University, Ottawa. |
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Side 67
... in passages in Götz von Berlichingen that bear a strong resemblance to the Ugolino episode in the Divine Comedy . ... according to this passage from a letter by Goethe to Oeser : Meine Gedancken über den Idris , und den Brief an ...
... in passages in Götz von Berlichingen that bear a strong resemblance to the Ugolino episode in the Divine Comedy . ... according to this passage from a letter by Goethe to Oeser : Meine Gedancken über den Idris , und den Brief an ...
Side 166
The absence of the spiritual dimension is highlighted when we contrast the whole episode with a passage in Rabelais's Histories of Gargantua and Pantagruel . I have no doubt that Goethe knew this text and that it needs to be brought ...
The absence of the spiritual dimension is highlighted when we contrast the whole episode with a passage in Rabelais's Histories of Gargantua and Pantagruel . I have no doubt that Goethe knew this text and that it needs to be brought ...
Side 167
68 The parallels of the passage to “ Auerbachs Keller ” are so striking that they cannot be accidental : the naming of the wines , the insistence on the will of the drinkers for determining which wine they taste .
68 The parallels of the passage to “ Auerbachs Keller ” are so striking that they cannot be accidental : the naming of the wines , the insistence on the will of the drinkers for determining which wine they taste .
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Innhold
The System of European Epic | 20 |
Faust and Epic History | 36 |
The Roots of Evil | 87 |
Opphavsrett | |
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Vanlige uttrykk og setninger
able Aeneas Aeneid allusion Ariosto attempt Auerbachs Keller authority become beginning blood body Cambridge century characters Chicago Christ Christian connection continue critical Dante Dante's detail discussion Divine drama Empire epic episode Essays evidence example fact Faust figure four four companions German give Goethe Goethe's Hell hero human humors important influence interest Italian Italy Johann John knowledge language Leipzig lines literary Literature London material means melancholy memory Mephistopheles Milton mind nature never nicht observes once Orlando Furioso Oxford Paradise passage poem poet political possible present Princeton question reference remember Renaissance Roman Satan scene seems Siebel Song stage story Studies Tasso theatre tion tradition trans translation tree turn University Vergil Walter wine York
Bibliografisk informasjon
| Tittel | Goethe's Faust and European Epic: Forgetting the Future Volum 2 av Studies in German literature, linguistics, and culture |
| Forfatter | Arnd Bohm |
| Utgave | illustrert |
| Utgiver | Camden House, 2007 |
| Original fra | University of Michigan |
| Digitalisert | 30. mai 2008 |
| ISBN | 1571133445, 9781571133441 |
| Lengde | 276 sider |
| Eksporter sitat | BiBTeX EndNote RefMan |