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Lifted at length, by dignity of thought
And dint of genius to an affluent lot,
He laid his head in luxury's soft lap,
And took, too often, there his easy nap.
If brighter beams than all he threw not forth,
'Twas negligence in him, not want of worth.
Surly and slovenly, and bold and coarse,
Too proud for art, and trusting in mere force,
Spendthrift alike of money and of wit,
Always at speed, and never drawing bit,
He struck the lyre in such a careless mood,
And so disdained the rules he understood,
The laurel seemed to wait on his command;
He snatched it rudely from the muses' hand.
Nature, exerting an unwearied power,
Forms, opens, and gives scent to every flower;
Spreads the fresh verdure of the fields, and leads
The dancing Naiads through the dewy meads;
She fills profuse ten thousand little throats
With music, modulating all their notes;
And charms the woodland scenes, and wilds un-

known,
With artless airs and concerts of her own:
But seldom (as if fearful of expense)
Vouchsafes to man a poet's just pretence-
Fervency, freedom, fluency of thought,
Harmony, strength, words exquisitely sought;
Fancy, that from the bow, that spans the sky,
Brings colours, dipt in heaven, that never die;
A soul, exalted above earth, a mind
Skilled in the characters that form mankind;

And, as the suni in rising beauty dressed,
Looks to the westward from the dappled east,
And marks whatever clouds may interpose,
Ere yet his race begins, its glorious close;
An eye like his to catch the distant goal;
Or, ere the wheels of verse begin to roll,
Like his to shed illuminating rays
On every scene and subject it surveys :
Thus graced, the man asserts a poet's name,
And the world cheerfully admits the claim.

Pity religion has so seldom found
A skilful guide into poetic ground! [stray,
The flowers would spring wherever she deigned to
And every muse attend her in her way.
Virtue indeed meets many a rhiming friend,
And many a compliment politely penned;
But, unattired in that becoming vest
Religion weaves for her, and half undressed,
Stands in the desert, shivering and forlorn,
A wintry figure, like a withered thorn.
The shelves are fuil, all other themes are sped;
Hackneyed and worn to the last flimsy thread,
Satire has long since done his best; and curst
And loathsome ribaldry has done his worst;
Fancy has sported all her powers away
In tales, in trifles, and in children's play;
And 'tis the sad complaint, and almost true,
Whatever we write, we bring forth nothing new.
'Twere new indeed to see a bard all fire,
Touched with a coal from heaven assume the lyre,
YOL. I.

C

And tell the world, still kindling as he sung,
With more than mortal music on his tongue,
That He, who died below, and reigns above,
Inspires the song, and that his name is Love.

For, after all, if merely to beguile,
By flowing numbers and a flowery style,
The tædium that the lazy rich endure,
Which now and then sweet poetry may cure;
Or, if to see the name of idle self,
Stamped on the well-bound quarto, grace the shelf,
To float a bubble on the breath of fame,
Prompt his endeavour and engage bis aim,
Debased to servile purposes of pride,
How are the powers of genius misapplied !
The gift, whose office is the Giver's praise,
To trace him in his word, his works, his ways!
Then spread the rich discovery, and invite
Mankind, to share in the divine delight.
Distorted from its use and just design,
To make the pitiful possessor shine,
To purchase, at the fool-frequented fair
Of vanity, a wreath for self to wear,
Is profanation of the basest kind
Proof of a trifling and a worthless mind.
A. Hail Sternhold, then ; and Hopkins, hail!

B. Amen. If Aattery, folly, lust, employ the pen; If acrimony, slander, and abuse, Give it a charge to blacken and traduce; Though Butler's wit, Pope's numbers, Prior's ease, With all that fancy can invent to please,

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Adorn the polished periods as they fall,
One madrigral of their's is worth them all.

A. 'Twould thin the ranks of the poetic tribe,
To dash the pen through all that you proscribe.

B. No matter-wè could shift when they were

noť;

And should, no doubt, if they were all forgot.

THE PROGRESS OF ERROR.

Si quid loquar audiendum.Hor. Lib. 4. Od. 2.

SING, musé (if such a theme, so dark, so long,
May find a muse to grace it with a song)
By what unseen and unsuspected arts
The serpent error twines round human hearts;
Tell where she lurks, beneath what flowery shades,
That not a glimpse of genuine light pervades,
The poisonous, black, insinuating worm
Successfully conceals her loathsome form.
Take, if ye can, ye careless and supine,
Counsel and caution from a' voice like mine!
Truths, that the theorist could never reach,
And observation taught me; I would teach.

Not all, whose eloquence the fancy fills,
Musical as the chime of tinkling rills,
Weak to perform, though mighty to pretend,
Can trace her mazy windings to their end;
Discern the fraud beneath the specious lure,
Prevent the danger, or prescribe the cure.
The clear harangue, and cold as it is clear,
Falls soporific on the listless ear;
Like quicksilver, the rhetoric they display
Shines as it runs, but grasped at slips away.

Placed for his trial on this bustling stage,
Froin thoughtless youth to ruminating age,
Free in his will to choose or to refuse,
Man may improve the crisis, or abuse;
Else, on the fatalist's unrighteous plan,
Say to what bar amenable were man?
With nought in charge he could betray no trust;
And, if he fell, would fall because he must;
If love reward him, or if vengeance strike,
His recompense in both unjust alike.
Divine authority within his breast
Brings every thought, word, action, to the test;
Warns him or prompts, approves him or restrains,
As reason, or as passion, takes the reins,
Heaven from above, and conscience from within,
Cries in his startled ear--Abstain from sin !
The world around solicits his desire,
And kindles in his soul a treacherous fire;
While, all his purposes and steps to guard,
Peace follows virtue as its sure reward;

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