Samlaren: Tidskrift utgifven af Svenska litteratursällskapets arbetsutskott, Volumer 31-34Svenska littertursällskapet., 1910 Contains a separately paged section: Svensk literaturhistorisk bibliografi. |
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Vanlige uttrykk og setninger
Adlerbeth afhandling Akademien anonym Atterbom auscultanten blef blifva blifvit blott bref brefvet Byron Clas Livijn Creutz dagbl dikten diktning dramer dygd död Elgströms emellertid finnes fransk-klassicismen fru Lenngren fråga följande förf:ns författare Gustaf Gustaf Fröding gång hafva Hammarsköld handskrift Helvetius Herr hjerta Humblom huru hvarje hvars hvilka hvilket håller Ibid Järta Kellgren klädmäklaren kärlek Leopold Lidner Lidners lifvet litterära Livijn Lord Byron långt låta Markalls Medea Mirza Molière Neikter Neikters Nils Nyberg ning ofvan Phosphoros poesi Poet poetiska Polyfem Pope Pris i bokh pseudonym-lexikon Referendarien Rimthussiaden roman Rosenstein Rustan rätt Samlaren satir scenen SCHÜCK Shakespeare sjelf själ själf skalden skrifter skrifvit smak snille stil Stockh Stockholms-Posten Stockholmsposten strof synes sång särskildt Tegnér Thorild tidningen tidskr tryckta tungusiska uppsatsen Upsala verk verlden Vitterhetsakademien Voltaire voro WARBURG wolffianismen wår Årg åter äfven öfrigt öfver öfversättning öre
Populære avsnitt
Side 229 - Or hear'st thou rather pure ethereal stream, Whose fountain who shall tell? Before the sun, Before the heavens thou wert, and at the voice Of God, as with a mantle didst invest The rising world of waters dark and deep, Won from the void and formless infinite.
Side 245 - Pyrrhus's ring, which, as Pliny tells us, had the figure of Apollo and the nine Muses in the veins of it, produced by the spontaneous hand of nature, without any help from art.
Side 236 - And perhaps the reason why common critics are inclined to prefer a judicious and methodical genius to a great and fruitful one, is, because they find it easier for themselves to pursue their observations through an uniform and bounded walk of art, than to comprehend the vast and various extent of nature.
Side 131 - Yes, Love indeed is light from heaven ; A spark of that immortal fire With angels shared, by Alia given, To lift from earth our low desire. Devotion wafts the mind above, But Heaven itself descends in love ; A feeling from the Godhead caught, To wean from self each sordid thought ; A Ray of Him who form'd the whole ; A Glory circling round the soul...
Side 245 - Who would not rather read one of his plays, where there is not a single rule of the stage observed, than any production of a modern critic, where there is not one of them violated...
Side 98 - To Be, contents his natural desire, He asks no Angel's wing, no Seraph's fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company.
Side 244 - In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius who is ignorant of the rules of art, than in those of a little genius who knows and observes them.
Side 236 - Our author's work is a wild paradise, where if we cannot see all the beauties so distinctly as in an ordered garden, it is only because the number of them is infinitely greater.
Side 132 - Man's love is of man's life a thing apart, 'Tis woman's whole existence; man may range The court, camp, church, the vessel, and the mart, Sword, gown, gain, glory, offer in exchange Pride, fame, ambition, to fill up his heart, And few there are whom these cannot estrange; Men have all these resources, we but one, To love again, and be again undone.
Side 143 - ... maîtres t'ont fait verser. Mais si les charmes de ce grand art te laissent tranquille, si tu n'as ni délire ni ravissement, si tu ne trouves que beau ce qui transporte , oses-tu demander ce qu'est le génie? homme vulgaire, ne profane point ce nom sublime. Que t'importerait de le connaître? tu ne saurais le sentir .^ fais de la musique française.