The Dramatick Writings of Will. Shakspere: With the Notes of All the Various Commentators; Printed Complete from the Best Editions of Sam. Johnson and Geo. Steevens, Volum 2Printed for, and under the direction of, John Bell, 1788 |
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Side 337
... Latin , and frequently began with the words , Noverint Universi . The form is still retained : Know all men , & c . Ff tually tually distorting words from their primitive signi- fication , in MR . MALONE'S CHRONOLOGY . 337.
... Latin , and frequently began with the words , Noverint Universi . The form is still retained : Know all men , & c . Ff tually tually distorting words from their primitive signi- fication , in MR . MALONE'S CHRONOLOGY . 337.
Side 378
... Latin and English , and seem to have piqued themselves on the superiority of their ex- hibitions to those of the established theatres * . Wish- ing probably to manifest this superiority to the royal pedant , it is not likely that they ...
... Latin and English , and seem to have piqued themselves on the superiority of their ex- hibitions to those of the established theatres * . Wish- ing probably to manifest this superiority to the royal pedant , it is not likely that they ...
Side 419
... Philonides , for his Fantesye faynyd for a mery Pastyme , in English Verse and Latin Prose . * This book was entered in May 1592 , at Stationers- Hall . Toxaris , Toxaris , or the Friendship of Lucian , by A. FROM CLASSICK AUTHORS . 419.
... Philonides , for his Fantesye faynyd for a mery Pastyme , in English Verse and Latin Prose . * This book was entered in May 1592 , at Stationers- Hall . Toxaris , Toxaris , or the Friendship of Lucian , by A. FROM CLASSICK AUTHORS . 419.
Side 422
... Latin , by ANGELUS POLITIANUS , and out of Latin into Englyshe , by NICH . SMYTH . Imprinted at London , by William Coplande , 4to * . PLUTARCH . Plutarch's Lives † , by Sir THOMAS NORTH , from the French of Amyot , Bishop of Auxerre ...
... Latin , by ANGELUS POLITIANUS , and out of Latin into Englyshe , by NICH . SMYTH . Imprinted at London , by William Coplande , 4to * . PLUTARCH . Plutarch's Lives † , by Sir THOMAS NORTH , from the French of Amyot , Bishop of Auxerre ...
Side 428
... Latin into English . Meetre , by ARTHUR GOLDING , Gent . 4to . B. L. London 1565 The fifteene Bookes of P. Ovidius Naso , & c , by ARTHUR GOLDING , 4to . Bl . L. London 1576 Another in 1575 , according to Ames , and another ear- lier ...
... Latin into English . Meetre , by ARTHUR GOLDING , Gent . 4to . B. L. London 1565 The fifteene Bookes of P. Ovidius Naso , & c , by ARTHUR GOLDING , 4to . Bl . L. London 1576 Another in 1575 , according to Ames , and another ear- lier ...
Vanlige uttrykk og setninger
acted alluded ancient Antony appears author's plays Ben Jonson called character circumstance comedy copy daughter Davenant death drama dramatick edition English entered at Stationers-Hall entry Epistles exhibited folio Gent Gentlemen Gentlemen of Verona Hamlet hath Henry IV honour John Shakspere Jonson Julius Cæsar King Henry VI King Henry VIII king James Latin likewise lines living London Lord Love's Labour Lost Macbeth magick MALONE mentioned Merry Wives Middleton monument muse Nashe observed Oldys passage performance perhaps piece players poem poet praise prefixed printed probably prologue publick published Richard Romeo and Juliet says scene seems Shak Shakspere's shew Shrew spere stage Stationers Stationers-Company STEEVENS Stratford upon Avon supposed Tempest theatre thee Thomas thou thought Timon Titus Andronicus tragedy translated Troilus and Cressida Twelfth Night unto verses William Davenant WILLIAM SHAKSPERE Wives of Windsor writer written
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Side 526 - Euripides, and Sophocles to us, Paccuvius, Accius, him of Cordova dead, To life again, to hear thy buskin tread, And shake a stage : or, when thy socks were on, Leave thee alone, for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come.
Side 548 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart • Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took, Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred in such pomp dost lie, That kings for such a tomb would wish to die.
Side 522 - To draw no envy, SHAKESPEARE, on thy name, Am I thus ample to thy book and fame ; While I confess thy writings to be such, As neither man, nor muse, can praise too much.
Side 524 - The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read, and praise to give.
Side 554 - This pencil take' (she said), 'whose colours clear Richly paint the vernal year: Thine, too, these golden keys, immortal Boy! This can unlock the gates of joy; Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.
Side 377 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other — Enter Lady MACBETH.
Side 474 - With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part; the sixth age shifts Into the lean and...
Side 482 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Side 474 - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Side 460 - She was so well pleased with that admirable character of Falstaff, in The Two Parts of Henry the Fourth, that she commanded him to continue it for one play more, and to shew him in love. This is said to be the occasion of his writing The Merry Wives of Windsor.